Abstract

Paul Scheerbart (1863–1915) is rarely referred to as a philosopher. He is known as the author of Glasarchitektur (1914), and of numerous books, essays, and stories of “fantasy” and anti-militarism. As a follower of Berkeley’s skepticism, he proposed an aesthetic of the fantastic, an art program in contrast to current realism and impressionism. Studying technical and scientific progress, he developed alternative ideas, in a unique blend of fiction and science. His “astro-” or “cosmopsychology” is a variant of ancient panpsychism or, as Jan Assmann calls it, cosmotheism, which was suppressed by the “Mosaic distinction,” the introduction of true and false in things religious. Exponents of this dualism are the supporters of the “Great chain of being” (Lovejoy): Plato, Nicholas of Cusa, and Kant in his refutation of hylozoism. The late Kant, however, comes close to Scheerbart in calling planet Earth an “organic,” though not “living” body. Fechner and, after him, Scheerbart overcome such hesitation. In Lovelock’s Gaia hypothesis, scrutinized by Bruno Latour, the old intuition of a non-dualistic eco-holism takes on its actual form.