Scholarly debate over faux-snuff’s content has predominantly focused on realism and affect. This paper seeks to offer an alternative interpretation, examining what faux-snuff’s form reveals about self. Faux-snuff is typically presented from a first-person perspective, and as such is foundationally invested in the killer’s experiences as they record their murder spree. First then, I propose that the simulated-snuff form reifies self-experience in numerous ways. Faux-snuff’s characteristic formal attributes capture the self’s limited, fractured qualities, for example. Second, I contend that the (...) faux-snuff film’s singular focus lays bare the killer-self. The killer’s identity is principally constituted by the murders they commit. Resultantly, faux-snuff’s victims necessarily affirm the killer qua killer in the moment of murder. However, homicide eradicates the victim. Victims thus vanish in the moment they become the killer’s counter-identity. Consequently, the mock-snuff film centralises not only killing, but also the killer’s self-abnegation. Simulated-snuff’s repeated murders are a compulsive process of becoming in which the killer-self is both reified and erased. Despite presenting events through the killer’s eyes then, the simulated-snuff film can never provide access to the killer. The killer is an absent-presence that also acts as a constant reminder that the viewer is profoundly distanced from the action depicted, despite its apparent immediacy. In sum, faux-snuff commonly combines first-person form with relentless violent content. That melding leads me to scrutinize the apparently absolute binary oppositions at the heart of self-conception. By nature of their approach, these films routinely expose the tipping points between victim/killer, self/other, and life/death. In doing so, simulated-snuff catalyses questions about the self in general, and about our own selves in particular. (shrink)

The comprehension of phenomena by analyzing and exploring data collected for the purpose is an old and established practice. Statistical methods have become quite sophisticated and are the bedrock of much modern scientific enquiry. Ever since William Playfair introduced the line, area, and bar charts and the pie chart and circle graph to the world, the field of information visualization research has refined and extended his ideas and has developed rules and heuristics for the visual representation of data. In all (...) of this, it is not evident that the ontological nature of vision has been taken into account. And why would it be? Phenomenologists and anthropologists have presented varied and competing theories as to how we perceive the world visually, but it seems that much of that can be bracketed when it comes to choosing how to lay out a plot or a chart. (shrink)

This thesis explores how the novels of Virginia Woolf and Jean Rhys – To the Lighthouse, Between the Acts, After Leaving Mr Mackenzie and Wide Sargasso Sea – despite being set in times of wars and social change that influence personal lives, maintain an attachment to and love for life. This thesis proposes that Woolf and Rhys ‘locate’ this attachment to life in the moments and atmospheres of ‘strange intimacy’ – in sensual, affective, and oddly intimate moments and settings where (...) characters realise their bodily connection to the world of others, things, and places. This work suggests that this love for life is cultivated when life is seen as ‘a life’ and selves as ‘haecceities’ in the Deleuzian sense, and when we consider modern life as enchanted, not disenchanted. To examine the love for life and strange intimacies further, this thesis rethinks the works of Hélène Cixous in the light of contemporary theories of affect and new materialism that are inspired by Gilles Deleuze and Félix Guattari’s philosophies. This theoretical framework allows the examination of the complex ways in which intimacy, selfhood, and desire are portrayed in Woolf’s and Rhys’s modernist fiction. This thesis also demonstrates how post-structural feminism’s focus on radical alterity and its emphasis on and turn to materiality, the non-human, bodies, and affects, which are drawn together in the notion of écriture féminine, pre-figures the concerns of affect studies and new materialisms. The reading of Cixous’s, Deleuze and Guattari’s, and Bennett’s works performed in this thesis demonstrates how their theories of affect and the non-human help us to further our understanding of intimacy in the works of Woolf and Rhys and to reconsider the life-affirming, affective, and anti-Oedipal qualities of their modernism. Such an approach allows not only the discovery of a new understanding of Woolf’s and Rhys’s writings, but it contributes significantly to how we understand these theories and modernism in general. (shrink)

Scholarly debate over faux-snuff’s content has predominantly focused on realism and affect. This paper seeks to offer an alternative interpretation, examining what faux-snuff’s form reveals about self. Faux-snuff is typically presented from a first-person perspective, and as such is foundationally invested in the killer’s experiences as they record their murder spree. First then, I propose that the simulated-snuff form reifies self-experience in numerous ways. Faux-snuff’s characteristic formal attributes capture the self’s limited, fractured qualities, for example. Second, I contend that the (...) faux-snuff film’s singular focus lays bare the killer-self. The killer’s identity is principally constituted by the murders they commit. Resultantly, faux-snuff’s victims necessarily affirm the killer qua killer in the moment of murder. However, homicide eradicates the victim. Victims thus vanish in the moment they become the killer’s counter-identity. Consequently, the mock-snuff film centralises not only killing, but also the killer’s self-abnegation. Simulated-snuff’s repeated murders are a compulsive process of becoming in which the killer-self is both reified and erased. Despite presenting events through the killer’s eyes then, the simulated-snuff film can never provide access to the killer. The killer is an absent-presence that also acts as a constant reminder that the viewer is profoundly distanced from the action depicted, despite its apparent immediacy. In sum, faux-snuff commonly combines first-person form with relentless violent content. That melding leads me to scrutinize the apparently absolute binary oppositions at the heart of self-conception. By nature of their approach, these films routinely expose the tipping points between victim/killer, self/other, and life/death. In doing so, simulated-snuff catalyses questions about the self in general, and about our own selves in particular. (shrink)

Given that numerous critics have complained about Saw’s apparently confused sense of ethics, it is surprising that little attention has been paid to how morality operates in narrative itself. Coming from a Nietzschean perspective - specifically questioning whether the lead torturer Jigsaw is a passive or a radical nihilist - I seek to rectify that oversight. This philosophical reading of the series explores Jigsaw’s moral stance, which is complicated by his hypocrisy: I contend that this underpins critical complaints regarding the (...) films’ (and frequently the audience’s) "muddled" morality. My narrative analysis reveals that Jigsaw’s values are not as confused as they may first appear to be. Despite explicitly proclaiming that his quest is to save others, his actions reveal another story (and not only because his schema is homicidal). Following the loss of his unborn son and his failed suicide attempt, Jigsaw seeks to symbolically eradicate himself: the victims he selects reflect and reify his own obsessive personality traits. In keeping with the franchises’ narrative twists – which are designed to reverse initially "obvious" meanings – I argue that Jigsaw’s proclamations have misdirected critics. His nihilism may be manifested as coerced suffering and articulated as distaste with the world, yet the series’ symbolic target is Jigsaw himself. (shrink)

‘Torture porn’ films centre on themes of abduction, imprisonment and suffering. Within the subgenre, protagonists are typically placed under relentless surveillance by their captors. CCTV features in more than 45 contemporary torture-themed films. Security cameras signify a bridging point between the captors’ ability to observe and to control their prey. Founded on power-imbalance, torture porn’s prison-spaces are panoptical. Despite failing to encapsulate contemporary surveillance’s complexities, the panopticon remains a dominant paradigm within surveillance studies because it captures essential truths about the (...) psychologies of self-governance and interdependency. This chapter will use torture porn’s panoptical spaces and captor-captive relationships as a springboard into examining those broader philosophical issues regarding selfhood. In the torture-space, cameras signify the control to which captives must submit. Since they are threatened with death, the surveillance dynamic appears to entirely subjugate these prisoners. However, the captive must undertake some agency in the oppression. Much of the captor’s implied threat is enacted by the captives, who brutalise one another to save themselves. The captor’s apparent omniscience is translated into omnipotence only because the captives forsake self-control – opting to engage in violent, contra-social behaviours – out of fear. Thus, it is implied that self-ownership is the bedrock of stable, interdependent sociality. To inspire horror, the opposite is depicted: fractured groups comprised of paranoid, self-invested individuals. By submitting to external pressure, these “weak” individuals empower their tormentor. Captives are not only encouraged to enact their own suppression, but also to internalise culpability for the suffering they undergo. Despite being threatened with erasure, torture porn’s protagonists are spotlighted in these films. Abductees dominate the screen-time, and their suffering drives the narrative forward. Torturers are often motivated solely by their victims’ agony. In many cases, torture is designed specifically for each hyper-individualised captive. These forms of emphasis imply that captives are the stimulus for their own victimisation. The captor’s exaggerated interest in the prisoners is perversely flattering: captives are implied to be worthy of the captor’s maniacal attention, which is reified by the CCTV cameras. In torture porn’s scenarios, it is not immediately clear who has greater control over the individual: the captor or the captive themselves. By dissecting how self-preservation, self-governance, and self-centredness manifest in torture porn, this chapter seeks to examine the dialectical qualities of liberty, interdependency and autonomy. (shrink)

Frederick Engels’s Anti-Dühring was the most important theoretical response to the emerging reformist tendencies within European socialism in the 19th century. It also proved to be Engels’s most influential, and controversial work. Because it is, as Hal Draper points out, ‘the only more or less systematic presentation of Marxism’ by either by Marx or Engels, anyone wanting to reinterpret Marx must first detach it from his seal of approval. It is thus around Anti-Dühring and related texts that debates about the (...) relationship of Marx to ‘Engelsian’ Marxism have tended to focus. This essay re-engages with debates about Engels’s mature work with a view to unpicking his contribution to Marxism from caricatured criticisms of his thought. (shrink)

This paper will use ideas from the Geology of Media to explore how animation can be traced back to particular geographic locations via the materials involved in their construction. This will be elucidated via reference to my own practice, which includes an animated simulation of a silicon mine in North Carolina that supplies Intel raw silicon for micro-processor manufacturing. This work attempts to create a direct link between an animated landscape and one of its many real-world material origins. The paper (...) will be based upon my recently completed PhD thesis and practice-led research which uses animation to open up ideas about media, time, materials and the environment. Within the thesis I explored the relationship between the recalcitrant characteristics of the computer simulated image in the context of geology and more broadly, the Anthropocene. (shrink)

Power’s Stoicism and Performance presents Stoicism as a means of navigating key debates and concepts in contemporary theatre and performance. Stoicism has influenced many of the most cited radical thinkers in the discipline of theatre and performance studies; for instance Deleuze, Foucault, Kristeva, Agamben. A central aim of this work is to bring Stoicism more explicitly into the fold of the discipline, and to use Stoicism to think differently about performance. With a series of chapters covering themes such as performativity, (...) embodiment, emotion, affect and spectatorship, this book finds points of encounter between Stoicism and contemporary understandings and practices of performance. It presents these encounters as modes of transformative experience in relation to our being in the world. (shrink)

concepts cannot be directly perceived through senses. How do people represent abstract concepts in their minds? According to the Conceptual Metaphor Theory, people tend to rely on concrete experiences to understand abstract concepts. For instance, cognitive science has shown that time is a metaphorically constituted conception, understood relative to concepts like space. Across many languages, the “past” is associated with the “back” and the “future” is associated with the “front”. However, space-time mappings in people’s spoken metaphors are not always consistent (...) with the implicit mental metaphors they are using to conceptualize time in their minds, suggesting a dissociation between temporal language and temporal thought. Beyond the influences of language, the Temporal Focus Hypothesis proposes that people’s spatial conceptions of time are shaped by their attentional focus on temporal events. In general, people conceptualize the past as being in front to the extent that their culture is past-oriented, and the future as being in front to the extent that their culture is future-oriented. Recent lines of research have provided preliminary evidence that people’s implicit space-time mappings are malleable and likely result from multiple factors related to temporal focus, ranging from those relating to contextual features, such as cultural attitudes toward time, to those more tightly tied to the individual, such as age-related differences. By building upon and extending these findings, the overall aim of this thesis is to ascertain the generalizability of the Temporal Focus Hypothesis and further investigate the range of factors that may influence people’s spatializations of time, focusing specifically on previously unexplored within-cultural differences, political ideology, religion, real life experiences, pregnancy, temporal landmarks, circadian rhythms and chronotype, and personality. Together, these studies demonstrate that people’s implicit space-time mappings may vary according to their temporal focus, which can be explained by the Temporal Focus Hypothesis. The findings of these studies also shed new light on the Temporal Focus Hypothesis by extending the range of factors that may influence people’s conceptions of time, and reveal the malleability and flexibility of time representations. (shrink)

The pragmatic semiotic theory of Charles Sanders Peirce has a lot of practical benefits for enhancing visual communication in illustrations. His triadic theory of Semiosis focuses on the dynamic interrelationships between the concept to be communicated, how it is represented through a semiotic sign, and how this affects the success of how the concept is eventually interpreted. Peirce's pragmatic semiotic theory uses complex language, and although Peirce is embraced in some design disciplines, the language that defines Semiosis is problematic beyond (...) academia. This paper is an attempt to address this by providing illustrators with a basic introduction to how Semiosis can help to enhance the success of the visual communication in their illustrations. This is done by translating Peircean terminology into illustrator-centric language and providing an example of how the Semiosis is implemented in an illustration. Within the limits of a short paper, illustrators can begin to understand how the triadic nature of concept/representation/interpretation can benefit them during their ideation and sketching phase to author effective images. In doing this, this paper will mostly discuss iconic, indexical, and symbolic semiotic representation within pragmatic semiotic signs of the intended concept to be communicated in an illustration. This paper's aim is to enact a pragmatic turn in illustrators, in which Semiosis theory becomes more integrated within their practical work, by providing a more illustrator-centric dissemination of Peirce's semiotic theory. (shrink)

Although many criminological studies do not make explicit references to morality, judgements around “right and wrong” are implicitly part of criminality. This article seeks to articulate the moral justifications offered by offenders, and to contrast these to the behavioral codes of wider society. Offenders involved in serious organized crime were interviewed in two regions, and findings indicate that offenders shared consensus around the “morality of robbing,” where some individuals are deserving of victimization, violence against women and children, which offenders believe (...) as morally wrong, and race-based offences. (shrink)

The majority of research on mindfulness reflects a secular viewpoint to the detriment of contextualized mindfulness approaches. We contribute to the literature on organizational mindfulness by arguing that mindfulness is a wisdom-based practice that has been exploited as an instrument for stress reduction or moment awareness techniques. We carried out in-depth interviews in Vietnam with 24 organizational leaders who are Buddhist practitioners, using thematic analysis to elucidate our argument. Our findings reveal that the practice of mindfulness is more effectively a (...) personal and contextual choice rather than a universal “band aid,” thus departing from secular interpretations and applications. This choice is based on understanding Buddhist teachings and principles and the combination of the Buddhist qualities of wisdom, compassion, and non-attachment. We argue that this more effectively can enable and contribute to a wise, dynamic, and flexible approach to corporate mindfulness. (shrink)

Purpose The purpose of this paper is to explore the link between spirituality and corporate social responsibility from a Buddhist perspective. The paper addresses critical issues in CSR and highlights how the concept of Buddhist skilful means can be applied to tackle such issues. Skilful means is highlighted among various Buddhist concepts because it represents a context-sensitive and practical approach that can be effectively applied in CSR practice. Design/methodology/approach The paper reviews scholarly conversations on the challenges faced by CSR in (...) contemporary business management and justifies the application of Buddhist principles, especially skilful means, to tackle such issues. The paper draws upon a wide range of Buddhist teachings and Sutras to propose a Buddhist skilful means approach to CSR. Findings Studies show that CSR is a highly contextualised term. Its definition and implementation differ in various contexts. Buddhism is set apart from other religions by its flexibility in practice and contextualisation. Further, the non-attachment that sits at the heart of the skilful means allows the exploration of different CSR practices to respond effectively to local contexts. Practical implications The paper proposes practical means for CSR practices adopted from a number of Buddhist qualities and principles in response to challenges for the practice of CSR. Originality/value Buddhist concepts have yet to be discovered or included in major scholarly conversations because of their contradiction of some well-known Western concepts and theories. Skilful means, including the principle of non-attachment, is a Buddhist approach. This paper argues that skilful means is a good fit with CSR as it has practical applications that can address issues identified in relation to CSR and organisational management practices. (shrink)

Organizations are diverse workplaces where various beliefs, values and perceptions are shared to varying extents. How can spiritual leadership induce altruistic love and intrinsic motivation among diverse members within the organization and without being regarded as really yet another covert, sophisticated form of corporate exploitation of human vulnerability reflective of the “dark side” of organizations and leadership? This paper explores an approach to spiritual leadership from a Buddhist perspective focusing on the power of skilful means to tackle such concerns. In (...) organizational pursuits such as appearance, reputation, fame, power, recognition and even leader–follower relationships are associated mostly with objectives and expectations, known in Buddhism as “attachment”. In Buddhism, however, any kind of attachment may be a source of suffering that eventually leads to negative consequences. In reviewing the dark side of spiritual leadership practices and how Buddhism is commoditized for organizational purposes, we reaffirm on the importance of the notion of non-attachment in Buddhism. We unpack the application of the Buddhist metaphor of “the raft”, non-attachment and other Buddhist stories of skilful means in spiritual leadership and their contribution to leadership studies. (shrink)

There is copious scientific and technical literature analysing the issues of the environmental threat to orbital space. There is also now increasing legal awareness of the problems facing the space environment. These inquiries almost always focus on solutions based on processes, technology or providing sufficient alarm to jolt the international community into action. This discussion will adopt a different focus, providing an overview of the value system that is currently in place regarding human space activity and examining how this value (...) system has shaped normative ethical positions on space exploration. The inquiry will consider whether the values of space exploration have been sufficiently concerned with the environmental impact of such activity and whether it is possible to generate the consensus needed to embed an ethical approach to space exploration. It is contended that only through embedding a concern for the environment at the core of human space activity will there be an enduring solution to the crisis posed by debris in Earth orbit. By promoting conservative consumption of outer space resources, such an embedded concern would become a natural process in space activity rather than a chastisement or limit progress. More crucially, such an overarching ethical position would ensure that the problems which have affected Earth orbit will not be exported when human space exploration leads to settlement on other celestial bodies. The inquiry will start by examining the evolving nature of space activity, looking at the predominantly military backdrop to the early years of exploration. During these early years, the challenge of simply getting into space overrode any environmental consideration. More significantly, there was not the diversity of entities looking to go into orbit meaning that the amount of debris was limited, thereby softening concern. Space activity during this time was largely limited to two superpowers, Russia and America. Inevitably, this geopolitical situation shaped the law that was to govern space activity, and this is the law which has shaped normative behaviour in space. Indeed, had space remained the purview of States, environmental damage may have been significantly reduced, making it easier to regulate. This development is crucial to understanding the way in which shared human values have evolved, but is only part of the picture. Following this, the different generations of space travellers will be studied allowing for an evaluation of how their competing interests and backgrounds have shaped the value systems underpinning the exploration of space. The discussion will then go on to review the emerging body of literature discussing ethical approaches to space and establish the extent to which ethical values have shifted to match the diversity of actors in the space environment. There will then be a critique of how the change in the global space environment has necessitated a change in environmental governance, and whether this has actually occurred. Finally, the discussion will conclude with suggestions as to the way in which legal devices can be used to shape behaviours and begin the process of embedding a much-needed environmental ethic into space activity. (shrink)

‘Ethics and the Conflicts of Modernity’ begins with a consideration of how lives might go wrong through a series of failures in relation to desire. In probing the relationship between an agent’s desires and her beliefs, MacIntyre introduces a woman who has not considered “that she might run away and join the circus”, and as we learn a few lines later, this possibility evades her because she wrongly believes that she could not become a trapeze artist. Incautious readers may regard (...) this as a flippant illustration; but that would be an error. Trapeze is an example of the type of practice in which, on MacIntyre’s account, participation both requires and develops virtues, and the circus provides a context for the type of virtuous local political community to which MacIntyre gives his allegiance. This paper uses the example of circus to illustrate the relationship between self-understanding and social order that underscores MacIntyre’s diagnoses of developments in mainstream moral and self-understanding. ‘Ethics in the Conflicts of Modernity’ provides a largely sociological account as to why the distinctive and incoherent Morality of modernity persists, and moreover must persist, if the illusions of the conventional social order are to be maintained. MacIntyre’s allusions to such contexts as the circus manifest the same intimate relationship between self-understanding and social order, but in contrast to modernity, provide a context for coherence. (shrink)

This thesis presents a study of transcendent experiences — experiences of connection with something greater than oneself — focusing on what they are, how artefacts support them, and how design can contribute to that support. People often find such experiences transformative, and artefacts do support them — but the literature rarely addresses designing artefact support for TXs. This thesis provides a step toward filling that gap. The first phase of research involved the conduct and analysis of 24 interviews with adults (...) of diverse spiritual perspectives, using constructivist Grounded Theory methods informed by relevant literature and by studies performed earlier in the PhD programme. Analysis found that TXs proceed in three phases — creating the context, living the experience, integrating the experience — and that artefacts support two phases and people desire enhancements to all three. This TX framework supports and extends experience structures from the literature: it recognises the top-level categories as phases in a cycle where integration may alter future contexts, and it extends the structure of TX by incorporating the relationships of artefacts and of enhancement desires to the phases of these experiences. This extended structure constitutes a grounded theory of transcendent user experience. The second phase involved the design and conduct of three “Transcendhance” game workshops for enhancing transcendence, which incorporated themes from the grounded theory and aimed to elicit design ideas in an atmosphere of imagination, fun, and play. Participants sketched 69 speculative ideas for techno-spiritual artefacts, and analysis mapped them to TX phases and identified possible extensions inspired by relevant research. The great majority of ideas mapped to the phase Creating the Context, with very few mapping to Living the Experience, which suggests that context may be easier than lived experience to understand and address directly. This point is especially important for experiences such as TX that are tricky to define, impossible to arrange or anticipate, and thus unsuitable for straight-forward “classic” user experience methods. The final phase involved the elaboration of workshop ideas to explore the extension of design fiction for TUX. Analysis related design fiction to the TX phases and suggested features that affect design ideas’ potential for TUX design fiction. This phase ended with the proposal and analysis of three new forms of design fiction — extended imaginary abstracts, comparative imaginary abstracts, and design poetry — using workshop ideas to illustrate the forms, their construction and use, and their benefits to TUX design. Transcendhance workshops and TUX design fictions approach techno-spiritual design peripherally, “sneaking up” on lived experience by addressing context and enabling the consideration of ineffable experience through storytelling, metaphors, and oblique imagery. This thesis combines the grounded theory of transcendent user experience with the Transcendhance workshop process and new forms of design fiction, presenting peripheral design as a promising strategy for facilitating design to enhance transcendent experience. (shrink)

This theory-grounded chapter adopts the thesis that when the ‘unwilling’ homeless reject shelter, the apparent paradox of staying in the cold uncovers a desire to confront loneliness. In order to discuss this assumption, the chapter critically reviews both sociological and philosophical literature under the framework of structuration theory. The chapter concludes offering an alternative reading of homelessness as an ontological crisis characterised by loneliness, thus problematizing constructions of homelessness as individual failure.

This article chronicles the difficulties that methodologists of economics have had in introducing Karl Popper’s philosophy to their fellow economists. It presents some general reasons for the problem before specifically examining the proposition that a sound appreciation of Popper’s doctrines cannot be attained from simply studying the doctrines themselves. What it also requires is an understanding of the problem situation that the doctrines sought to address. This is illustrated through an examination of the way methodologists have grasped, or failed to (...) grasp, the development of Popper’s own thought about the problem of demarcating empirical science from non-science and the related problem of whether the limits of empirical science coincide with the limits of arguability. The article demonstrates that a neglect of these considerations has produced confusion in the literature, both in the way that Popper’s philosophy has been presented and in the way in which its contemporary relevance has been assessed. (shrink)

Book Review: 'Comic Democracies: From Ancient Athens to the American Republic' by Angus Fletcher. Baltimore: Johns Hopkins UP, 2016. ISBN 9781421419343. 209 pages. $49.95.

This article examines the official concept of social justice, as advanced by the Coalition government in the UK between 2010 and 2015. The article begins with a discussion of some traditional comprehensions of social justice and summarises its recent use by political parties prior to 2010. A short section on methodology precedes a sketching out of five interconnected themes of: dehistoricised; localisation and individualisation; residualisation; work; and innovation and commodification. The article concludes with a brief summary of the official understanding (...) of social justice and a look forward to its future use by the government. (shrink)

We agree that there is a lack of clarity in the sports coaching literature about philosophical pragmatism, but this is inevitable when there is a lack of consensus in the literature of philosophical pragmatism itself. In the writing of classical pragmatists, there are a ‘plurality of conflicting narratives’.1 For instance, C.S. Peirce acknowledged notable theoretical divergence between his pragmatism and that of William James.2 In fact, Peirce viewed the availability of nuanced approaches as a mark of the vitality of this (...) school of thought. After all, pragmatists value diversity, they accept that current thinking, hypotheses and practices may require revision – they are flexibly minded. Such revision, however, must be built upon well-reasoned doubt.2 In other words, a clear argument is necessary if an alternative proposition is to be considered. In this vein, though we have sympathy for the thrust of his argument, and support calls for more ‘legitimate philosophical thinking’ and ‘empirical philosophical enquiry’3, our aim in this commentary is to address a lack of clarity and utility in some of Jenkins’ propositions about philosophical pragmatism and sports coaching. (shrink)

MacIntyre argues that management embodies emotivism, and thus is inherently amoral and manipulative. His claim that management is necessarily Weberian is, at best, outdated, and the notion that management aims to be neutral and value free is incorrect. However, new forms of management, and in particular the increased emphasis on leadership which emerged after MacIntyre’s critique was published, tend to support his central charge. Indeed, charismatic and transformational forms of leadership seem to embody emotivism to a greater degree than do (...) more Weberian, bureaucratic forms of management; hence, MacIntyre’s central contention about our emotivistic culture seems to be well founded. Having criticised the details but defended the essence of MacIntyre’s critique of management, this paper sketches a MacIntyrean approach to management and leadership by highlighting the affinities between MacIntyre’s political philosophy and Greenleaf’s concept of servant leadership. (shrink)

The exegesis of a famous work in social and political philosophy may be made interesting by explaining the problem that engaged its author. It may be made doubly interesting by applying the philosophy to a contemporary issue. That two-fold agenda, when successfully addressed, may also demonstrate the lasting value of the work and that the problem that it sought to investigate is in some sense perennial. This paper pursues such an agenda by supplying an exegesis of Karl Popper’s famous work (...) on social and political philosophy: The Open Society and Its Enemies. It uses a recently published collection of Popper’s previously unpublished or uncollected papers on social and political philosophy to elucidate the work’s themes, contents and problem situation. It also applies its central ideas to a contemporary issue: the referendum on so-called ‘Brexit’, held on 23rd June 2016, to decide whether the United Kingdom ought to remain a member of the European Union. The exegesis that is thereby supplied offers a third outcome of contemporary interest: an unqualified philosophical defence of ‘Brexit’. (shrink)

There is a common expectation that as the landscape contains nature, then it is a natural thing. Yet, it is difficult to find a time when this has really been the case. It is frequently co-opted as part of the imagination of what landscape could, and ideally should, be. It can be a difficult thing to ‘read’. The three artists in –scape explore some of the diversions, delusions – as well as the delights - of the constructed landscape. In doing (...) so, the work questions the relationship of space to experience and the ways in which meaning is constantly re-configured. (shrink)

The few discussions of Alejandro de la Sota’s Domínguez House which currently exist cite a retrospective text, dated 1976, where he developed activity and repose as two distinct images within human dwelling. While the Domínguez House has previously been understood in relation to biological rhythms, this paper presents a different reading of this remarkable project – as a deconstruction and reformulation of the contemporary dwelling, one which challenges the inward-looking understanding of human dwelling as shelter. I therefore propose that Alejandro (...) De la Sota was as an architect with a theoretical agenda, far from the conventional view that his was an empirical approach to architecture. (shrink)

This is a commentary on the two previous chapters in the same book. It draws on the author's and colleagues' research in Kenya to comment on the other contributors' arguments about the 'right to democratise'. It considers the arguments of an Islamist scholar interviewed in the research for a right to reject democracy, and interprets Kant as rejecting a right of states to impose a republican constitutions on other states. It argues that Kant's position, so interpreted, remains essentially sound.

Business Ethics scholars have made much use of Alasdair MacIntyre’s distinctive account of the virtues. This chapter discusses MacIntyre’s influence and considers four distinctive types of enquiry inspired by his seminal 1981 text After Virtue. These comprise: the moral status of the manager the application of MacIntyre’s notion of practice in business the relationship between practices and institutions empirical enquiry using MacIntyre’s ‘goods-virtues-practices-institutions’ framework The remaining chapters in this section exemplify these enquiries.

The banking sector has been under public scrutiny since the credit crisis of 2007/8, and a range of diagnoses and cures have been offered, particularly in terms of regulatory and financial structures. In the public media, much comment has been made about ethics in the sector, but this has provoked surprisingly little response from academic researchers. This thesis explores the crisis in banking as a moral one, taking Alasdair MacIntyre’s account of virtue ethics as a framework for understanding the careers (...) of Scottish banking leaders. The method used for the study is narrative, and depends both on MacIntyre’s philosophy of tradition-constituted enquiry, and on Hans-Georg Gadamer’s hermeneutics. Conversations were held with ten leaders of Scottish banking whose careers typically span between 25 and 40 years, and the record of those conversations forms the primary data set for the research. The resulting narratives are frank, rich descriptions of deeply felt changes in a particular mode of working life. This was a way of life characterised up until the 1980s by a well-defined status within local communities, professional expertise and a well-ordered tradition. The deregulation of banking and subsequent structural and technological changes to retail banking services eroded that professional tradition, and replaced it with new modes of work dominated by institutional priorities of sales, profit and growth, rather than by an ethic of professional expertise and customer service. The thesis finds that there are structural barriers to the recovery of a professional ethic in banking. It offers new perspectives on the work of Alasdair MacIntyre, particularly in the application of his idea of traditions to mainstream economic activity. It also explores common ground between Gadamer and MacIntyre, proposing ways in which both philosophers can enhance our pursuit of qualitative empirical research. (shrink)

Invited presentation to an International Symposium on 'Karl Popper and the Problems of Change in Science, Society, the State, & Faith' hosted by the Research Institute for Philosophical Foundation of Disciplines, Ankara, Turkey.

The business of this paper is to examine whether organizations ‘evolve’. In every-day language, it is easy enough to say that they do, but supplying a theoretical account of the nature of this so-called ‘evolution’ is far from straight forward. Does it, for instance, commit one to a tour through the science of biology and the Darwinian theory of natural selection? The programme of research entitled ‘Generalized Darwinism’ asks of organizational theorists that they make such a commitment. Its proponents have (...) recently explained their reasoning in the journals Organization Studies and Philosophy of the Social Sciences. Unsurprisingly, critical responses to this reasoning have also been published. This paper evaluates the claims of Generalized Darwinism. It is proposed that its account of organizational ‘evolution’ has two pillars. One is the claim that there are general Darwinian principles and concepts that are common to both the social and biological domains; these are represented by the triadic schema of ‘variation–selection–retention’. The other pillar, originally developed within modern evolutionary biology as a solution to some particular conceptual and theoretical difficulties within it, is the replicator-interactor distinction. The first pillar supports the second pillar. In an assessment of the claims of Generalized Darwinism, it is argued that the second pillar is demonstrably cracked, limited in what it can support, and therefore all too prone to being toppled. As for the first pillar, to which the programme collapses if the second pillar falls, the triadic schema simply represents a general scheme for constructing explanations and it is compatible with a very different approach to the discussion of social evolution that was originally developed, across various monographs in a fairly piecemeal manner, by the philosopher, Sir Karl Popper. This is an approach that pre-dates Generalized Darwinism, and has also been called ‘evolutionary’, even a ‘generalization of Darwin’. The paper attempts to marshal Popper’s ideas into a more coherent whole so that it may be compared to Generalized Darwinism. This also demonstrates that if the problem is to account for the ‘evolution’ of social organizations, then there is no need to support the account with the second interactor-replicator pillar of Generalized Darwinism, let alone the neo-Darwinist paraphernalia that plasters it. (shrink)

The current article offers a short critique of some of the pre-suppositions of the positive psychology approach. It takes the seminal book 'Character Strengths and Virtues' by Peterson and Seligman as the key text, and then explores an alternative programme of enquiry offered by virtue ethics as articulated by MacIntyre. The MacIntyrean approach developed here is consciously focused on traditions of virtue ethics, engaging in empirical enquiry from within a particular tradition, and enquiring into the practical ethics of others who (...) may themselves be members of that same tradition, or who may be adherents of some alternative tradition. The purpose of this article is to explore some of the fundamental differences between this kind of virtue ethics approach and that offered by positive psychology. It is suggested that philosophy is much better placed to undertake empirical work than Peterson and Seligman assume, and that their claims to possess superior data should be treated with caution, particularly in respect of their championing of measurement over philosophy. (shrink)

In contrast to functionalist explanations of themes of purity and impurity as an expression and affirmation of the social order , Giorgio Agamben considers purity and impurity as comparisons of phenomena with their imputed essence. From the perspective offered by Agamben, judgements regarding purity and impurity can be seen as in part constructing the essence against which they supposedly simply measure phenomena. Agamben’s investigations suggest that on occasions when themes of purity or impurity are invoked within Western discourses on subjectivity, (...) the full human subject tends to be placed as relatively pure: neither too close nor too distant from human essence. FollowingWalter Benjamin, he suggests that such a classification gives the full human subject a certain social protection and inviolability, separating relatively pure and protected human life from impure subjectivities unprotected by social or legal conventions. (shrink)

There are striking similarities between some of the work produced by Sheffield based performance ensemble Forced Entertainment and the revolutionary theories of Slavoj Žižek. On the surface this comparison may seem unlikely and unsupported by the two jokes below, which appear, at first glance, to be aiming for entirely different effects. The first, revolving around the anti-Semitic stereotype of the greedy Jew, is expansive and incident driven in the tradition of the shaggy dog story, with Žižek drawing the listener in (...) to circular incidents leading exactly nowhere. At the beginning of this century, a Pole and a Jew were sitting in a train, facing each other. The Pole was shifting nervously, watching the Jew all the time, something was irritating him; finally, unable to restrain himself any longer, he exploded: ‘Tell me, how do you Jews succeed in extracting from people the last small coin and in this way accumulate all your wealth?’ The Jew replied: ‘Ok, I will tell you, but not for nothing; first, you give me five zloty [Polish money].’ After receiving the required amount, the Jew began: ‘First, you take a dead fish; you cut off her head and put her entrails in a glass of water. Then around midnight, when the moon is full, you must bury this glass in a churchyard ….’ ‘And’, the Pole interrupted him greedily, ‘if I do all this, will I also become rich?’. (shrink)

Catholic Social Teaching aspires to an economy that serves needs, upholds justice, and inculcates subsidiarity. But it suffers from a significant omission—it fails to look “inside” the business organisations that comprise the fundamental building blocks of the economic system. It is therefore ill-equipped to suggest how businesses could be reformed to meet these aspirations. MacIntyre’s Thomistic Aristotelian account of the relationships between goods, virtues, practices and institutions provides resources that could enable CST to overcome this lacuna. This paper describes the (...) MacIntyrean account and compares it with CST’s existing categories. It then analyses the case of the Lloyds Banking Group. This allows not only diagnosis, but potentially a prescriptive account of how virtue may be “crowded-in” to business organisations. The paper concludes by suggesting that this approach might make a distinctive contribution to CST, and hence enable CST to make an even more significant contribution to business ethics. (shrink)

This is an exploratory study aimed at addressing the epistemological basis of Knowledge Management, and its suitability to address work-based issues specifically related to Knowledge Management within Project Environments. These issues include repetition of mistakes, and a lack of timely information availability and skill possession. Following an extensive literature review of current and historic Knowledge Management, Business and Philosophical literature, an epistemological approach was generated that opposes the popular ‘objective’ view of knowledge implicit in common Knowledge Management literature, reinterpreting it (...) in terms of Heidegerrian Understanding and Interpretation. Focus groups were then used to gather thematic data to generate evidence of the suitability of this approach, and to assess any implications arising from this new epistemological stance. The results showed support for the rejection of an objective view of knowledge, and that this rejection of certainty allows the various influences on how we justify and produce ‘knowledge’. The study concludes that the true dynamic and personal nature of knowledge means it cannot be managed, and that the production and dissemination of information should be assessed in terms of requirements of efficiency vs. sufficiency, and any assumptions made regarding method, and the origin of the information. (shrink)

An account of artistic research addressing the extra visual and extra geographic circumstances of the submaritime conducted at the National Oceanographic Centre, Southampton, 2007 – 10. During 2008–10, I was the Artist in Residence of the Leverhulme Trust, at the National Oceanography Centre,, Southampton, working with sonar geophysicist Dr Tim Le Bas, exploring methods of seabed mapping and undersea survey. During this period I documented aspects of oceanographic study, learnt processes used by my scientific colleagues, conducted performative interventions and made (...) works in direct response to the context of. The work produced was shown at an exhibition at University of Wales Institute, Cardiff in 2009 and will be developed into a larger exhibition at the John Hansard Gallery, Southampton in 2012. This article constitutes both a re-presentation of my primary research and a reflection on the methods I adopted to address the issues raised by my inquiries. Works produced are both referred to directly and represented via supplementary documentation. (shrink)

Given that numerous critics have complained about Saw’s apparently confused sense of ethics, it is surprising that little attention has been paid to how morality operates in narrative itself. Coming from a Nietzschean perspective - specifically questioning whether the lead torturer Jigsaw is a passive or a radical nihilist - I seek to rectify that oversight. This philosophical reading of the series explores Jigsaw’s moral stance, which is complicated by his hypocrisy: I contend that this underpins critical complaints regarding the (...) films’ (and frequently the audience’s) "muddled" morality. My narrative analysis reveals that Jigsaw’s values are not as confused as they may first appear to be. Despite explicitly proclaiming that his quest is to save others, his actions reveal another story (and not only because his schema is homicidal). Following the loss of his unborn son and his failed suicide attempt, Jigsaw seeks to symbolically eradicate himself: the victims he selects reflect and reify his own obsessive personality traits. In keeping with the franchises’ narrative twists – which are designed to reverse initially "obvious" meanings – I argue that Jigsaw’s proclamations have misdirected critics. His nihilism may be manifested as coerced suffering and articulated as distaste with the world, yet the series’ symbolic target is Jigsaw himself. (shrink)

Postmodernism is an important part of the cultural landscape which continues to evolve, yet the ideas and theories surrounding the subject can be diverse and difficult to understand. Fifty Postmodern Thinkers critically examines the work of fifty of the most important theorists within the postmodern movement who have defined and shaped the field, bringing together their key ideas in an accessible format.

It is widely believed that the philosophical concept of 'tabula rasa' originates with Locke's Essay Concerning Human Understanding and refers to a state in which a child is as formless as a blank slate. Given that both these beliefs are entirely false, this article will examine why they have endured from the eighteenth century to the present. Attending to the history of philosophy, psychology, psychiatry and feminist scholarship it will be shown how the image of the tabula rasa has been (...) used to signify an originary state of formlessness, against which discourses on the true nature of the human being can differentiate their position. The tabula rasa has operated less as a substantive position than as a whipping post. However, it will be noted that innovations in psychological theory over the past decade have begun to undermine such narratives by rendering unintelligible the idea of an 'originary' state of human nature. (shrink)

Explains why the debate initiated by Stephen Lloyd Smith’s plea to jettison the so-called ‘Standard Account of Method’ is of the utmost importance to the teaching of management studies in British universities. Identifies a fully developed presentation of the SAM oppositional framework in a well-considered and widely used text-book and demonstrates that the book’s argument is logically unsound because it contains inconsistent propositions, invalid inferences and flawed scholarship. Summarises Karl Popper’s account of how logic, as the theory of argument, can (...) be related to an empirical basis and uses it to demonstrate that there need be no great divide between nomothetic and ideographic research problems once appropriate distinctions are drawn between different forms of explanation. Nonetheless, questions the relevance of these research problems to the concerns of practising managers by highlighting the contrast, as made by philosophers, between social science and social technology. Concludes that the continued presentation and defence of SAM, as the conventional wisdom of how research philosophy and methodology ought to be taught to management students, is thoroughly lamentable. (shrink)

This paper examines the sensitivity of Stafford Beer’s Viable System Model of organization to the concept of human freedom. The paper notes the many critics who have suggested that the Viable System Model is inimical to human freedom and their especial reference to its application to the social economy of Chile in the early 1970s. Drawing on the work of philosophers, a conceptual analysis of freedom is provided that suggests a complex ordinary language usage of the term. At least three (...) determinants of freedom, that are logically independent of one another, are identified as being of relevance to its ordinary usage. The paper finds that these determinants are implicitly addressed and acknowledged within Beer’s own writings, but that they are ignored by the critics of the Viable System Model and that this makes for a lack of clarity and precision in the debate. The paper also applies a further criterion, formulated in political philosophy, to judge whether the leadership of the government that applied the Viable System Model to the Chilean social economy was itself hostile to political freedom or democracy. This application of the criterion suggests that they were not. (shrink)

The philosophical writings of the author of War and Peace inspired followers from Moscow to Croydon and led to the creation of a Christian anarchist reform movement. Charlotte Alston examines the activities and influence of Tolstoy’s disciples.

This introductory chapter explains the coverage of this book, which is about the relevance of Gilles Deleuze's philosophy to the performing arts or performance. It discusses the theatrical aspects of Deleuze's oeuvre examines the implications of Deleuze's work for performance. The chapters in this volume are divided into three parts. The first part those practitioners about whom Deleuze wrote the most, the second deals with live performance, and the third explores new media and digital practices in performance.

Critical Discourse Analysis has recently begun to consider the implications of research in Evolutionary Psychology for political communication. At least three positions have been taken: i) that this research requires Critical Discourse Analysis to re-examine and defend some of its foundational assumptions ; ii) that this research provides a useful explanatory framework for Critical Discourse Analysis in which questions can be addressed as to why speakers might pursue particular discursive strategies and why they might be so persuasive ; and iii) (...) that findings bare little or no relevance for Critical Discourse Analysis. In this article, I take up the first two of these positions and in doing so, of course, implicitly disagree with the third. I consider the positions in i) and ii), then, specifically in relation to Sperber’s notion of a ‘logico-rhetorical’ module. Taking the argument that Chilton makes concerning this module one stage further, I suggest that the logico-rhetorical module evolved as much for persuasion as it did for vigilance. I further suggest that the semantic category of evidentiality operationalized in media discourse serves to satisfy the conditions of acceptance laid down by the logico-rhetorical module. I show how this semantic category therefore performs a legitimizing function in media discourse on immigration. (shrink)

The possibility of aesthetic objectivity is a standard topic within philosophical aesthetics and raises questions that have always been heavily disputed. ‘Endlos umstritten, ewig schön’ will readdress these issues through the most prominent concept within the philosophy of art, namely the concept of beauty, and ask the question: Can artworks be beautiful in themselves or is beauty a subjective reaction of the viewer? For artists since the beginning of the 20th century, the notion of beauty has been associated with frivolity, (...) consumerism and pure pleasure and as a result, challenged and rejected. Thus the term has been replaced in recent aesthetic debates by discourses such as relational aesthetics, art as social space, art as service and poetic knowledge. The exhibition, which will represent current artistic positions from the UK and Germany that challenge both classical and more contemporary conceptions of beauty, will provide the context for an interdisciplinary symposium. Art theorists and philosophers from varying aesthetic traditions have been invited to take part and to discuss the possible relevance beauty could have for the production and reception of contemporary art. In bringing dynamic artists, philosophers and theorists together, we hope to examine this old debate from new and invigorating perspectives. (shrink)

Thinking About Almost Everything brings together original thinking on a staggering range of topics across the sciences, arts and humanities, grouped into nine imaginative and sometimes startling thematic categories. Entries on terror, the West Antarctic Ice Sheet and climate change are juxtaposed in the 'settlement' section, while 'Presences' brings together plant genetics, race, humans and animals, music theology, and the Willmore Conjecture. The short essays are written in a lively and accessible style, and the book is illustrated with original and (...) challenging images. Thinking About Almost Everything shows how even the most intricate and complex knowledge can enliven public curiosity and spark new thinking on issues either known or yet to be discovered. (shrink)

The first dictionary dedicated to the work of Jean-Francois Lyotard. Drawing on a multidisciplinary team of experts, the 168 entries in The Lyotard Dictionary explain all of his main concepts, contextualising these within his work as a whole and relating him to his contemporaries. * 118 entries cover all of Lyotard's concepts and concerns, from 'Addressee' and 'Aesthetics', through 'I don't know what' and 'Is it happening?' to 'Unpresentable' and 'Writing' * A further 50 'linking' entries contextualise Lyotard within the (...) wider intellectual currents of his time, from concepts such as Nazism and Memory to thinkers from Aristotle to Jean BaudrillardJean-Francois Lyotard's postmodern thought is massively influential across a host of academic disciplines, from philosophy and the social sciences through to literary, media, and cultural studies. (shrink)

This book constitutes the proceedings of the 7th International and Interdisciplinary Conference on Modeling and Using Context, CONTEXT 2011, held in Karlsruhe, Germany in September 2011. The 17 full papers and 7 short papers presented were carefully reviewed and selected from 54 submissions. In addition, the book contains two keynote speeches and 8 poster papers. They cover cutting-edge results from the wide range of disciplines concerned with context, including the cognitive sciences, the social sciences and organization sciences, and all application (...) areas. (shrink)

This is the first dictionary dedicated to the work of Jean Baudrillard. It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an authoritative overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by 35 leading Baudrillard specialists (...) from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick. (shrink)

Since the publication in 1975 of Paul Virilio's Bunker Archeology, the range of Virilio's critical works and their impact have now become clear within a variety of subjects. Making astonishing interventions into art and architecture, geography, cultural studies, media, literature, aesthetics and sociology, the momentous implications of which have yet to be entirely understood, Virilio is the cultural theorist for our troubled twenty-first century. Responding to this growing interdisciplinary interest, Virilio Now: Current Perspectives in Virilio Studies comprises Sean Cubitt's critical (...) overview of Virilio's aesthetics of disappearance, an important newly translated text by Virilio interrogating the impact of contemporary art, and eight other major original essays by noted scholars on the wide scope of Virilio's writings, inclusive of Adam Sharr on Virilio and the architect Peter Zumthor's Bruder Klaus chapel, and Nigel Thrift's crucial assessment of Virilio's City of Panic. Substantial coverage of Virilio's essential texts such as The Information Bomb is presented alongside his hypermodern conjectures on television and speed, globalization, media and representation. Navigating Virilio's 'accident of art', the 'aesthetics of disappearance' and widespread cultural devastation, additional essays bring together considerations of financial adversity, war, calamity and the apocalypse. Dazzling yet perceptive, these texts on the 'post-nuclear imagination', terror and dread are simultaneously creative and theoretical extrapolations from Virilio's 'scenic imagination' and companion essays to his most contemporary, highly original and powerful books such as The Original Accident and The University of Disaster. Clearly introduced by the editor, Virilio Now is the preeminent single volume on Virilio's work and world available today."--Page 4 of cover. (shrink)