Abstract

The author puts forward a set of assumptions and possible context for examining the connection between the concepts of enlightenment and taste. Kant?s definition of enlightenment is accepted, with special emphasis on the sphere of religion. Applying this criterion, we may discern a powerful and influential religious current stemming from strictly speaking Church circles that denies the systematic and historical significance of the opus of Dositej Obradovic, who in his time was a protagonist of the European enlightenment. Such a revaluation has been accepted by the greater portion of the younger generation, which relies predominantly on the St. Sava Myth. With a change of worldview, undoubtedly, tastes change as well. The next section of the paper discusses the approach to taste of the Scottish philosopher David Hume representative of dispositional aesthetic. Finally it is argued that music as one of the arts, might be exemplary for appraising the condition of enlightenment in a society. U ovom radu autor je izlozio nekoliko pretpostavki, te moguci kontekst za ispitivanje veze izmedju pojmova prosvecenost i ukus. Prihvaceno je Kantovo odredjenje prosvecenosti, a s narocitim naglaskom na sferu religioznosti. Na osnovu takvog kriterijuma, moze se uociti da je u igri jedna vrlo snazna i uticajna verska struja - i to iz crkvenih krugova u najuzem smislu - koja porice sistematski i istorijski znacaj dela Dositeja Obradovica, svojevremeno protagoniste evropske prosvecenosti. Takvo prevrednovanje prihvatio je i veci deo mladje generacije insistirajuci prevashodno na Svetosavskom Predanju. S promenom pogleda na svet, nesumnjivo je da se menjaju i ukusi. Izlozeno je i shvatanje o ukusu skotskog filozofa Dejvida Hjuma, zatocnika dispozicionalne estetike. Kao jedna od umetnosti, muzika bi mogla biti egzemplarna za procenjivanje stanja prosvecenosti u nekom drustvu.