Abstract

This paper investigates Sellars's complex attitude towards idealism. It distinguishes between the epistemologically-based arguments that led many empiricists to idealism and a different set of more purely metaphysical arguments that came to dominate in German Idealism. Sellars resolutely rejects all of the epistemological arguments for idealism, but shows much greater sympathy with the metaphysical arguments. It is then argued that Sellars introduced his notion of picturing to avoid falling into such an idealism.