Soft computing: forms and limits in computational aesthetics

Abstract

This paper contends that soft computing can help us investigate the aesthetics of digital computation. Employing broader conceptions of aesthetics and perception, and whilst drawing upon the ontology of Alfred N. Whitehead, it uses soft computing to address the 'prehensive' dimension of the quantitative procedures of computation, and explores the interrelationship between the factuality and formality of computational structures.

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