Movement and musical performance

&
In William Forde Thompson & Kirk N. Olsen (eds.), The Science and Psychology of Music: from Beethoven at the office to Beyoncé at the gym. Greenwood. pp. 269-273 (2021)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Musical Performance: A Philosophical Study.Stan Godlovitch - 1998 - New York: Routledge.
Method Development for Multimodal Data Corpus Analysis of Expressive Instrumental Music Performance.Federico Ghelli Visi, Stefan Östersjö, Robert Ek & Ulrik Röijezon - 2020 - Frontiers in Psychology 11.
Music perception and cognition.Timothy Justus & Jamshed Bharucha - 2002 - In S. Yantis & H. Pashler (eds.), Stevens’ Handbook of Experimental Psychology, Volume 1: Sensation and Perception (Third Edition). New York: Wiley. pp. 453–492.
Music, language, and cognition: and other essays in the aesthetics of music.Peter Kivy - 2007 - New York: Oxford University Press.
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford, GB: Oxford University Press.
Musical performance: a philosophical study.Stanley Godlovitch - 1998 - New York: Routledge.
Musical agency and collaboration in the digital age.Tom Roberts & Joel Krueger - 2022 - In Kath Bicknell & John Sutton (eds.), Collaborative Embodied Performance: Ecologies of Skill. Methuen Drama. pp. 125-140.
Playing with History: The Historical Approach to Musical Performance.John Butt - 2002
Embodiment and movement in musical performance.Martin Clayton & Laura Leante - 2013 - In Martin Clayton, Byron Dueck & Laura Leante (eds.), Experience and meaning in music performance. New York: Oxford University Press.
The Three Lacanian Registers of Musical Performance.Rex Butler - 2017 - International Journal of Žižek Studies 11 (3).
Musical Formalism and Political Performances.Jonathan A. Neufeld - 2009 - Contemporary Aesthetics 7.
Explaining musical experience.Paul Boghossian - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press. pp. 117.
Jazz and Musical Works: Hypnotized by the Wrong Model.John Andrew Fisher - 2018 - Journal of Aesthetics and Art Criticism 76 (2):151-162.
Virtue or virtuosity?: explorations in the ethics of musical performance.Jane O'Dea - 2000 - Westport, Conn.: Greenwood Press.
Lisa McCormick. Music as Social Performance. [REVIEW]Mariya Polikashina - 2010 - Russian Sociological Review 9 (2):106-111.

Analytics

Added to PP
2023-08-12

Downloads
20,825 (#110)

6 months
19,250 (#7)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

John Sutton
Macquarie University

Citations of this work

No citations found.

Add more citations

References found in this work

Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
The Act of Creation.Arthur Koestler - 1964 - British Journal for the Philosophy of Science 16 (63):255-257.

View all 23 references / Add more references