Music, the brain, the mind, and the heart

Abstract

The paper draws on the aesthetic theory and on the cognitive neuroscience approach of music, as well as on music history to try to convince Frederic Scherer that he should listen to music composed after Mahler. ©FrancoAngeli.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,261

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

  • Only published works are available at libraries.

Similar books and articles

Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Moribund music: can classical music be saved?Carolyn Beckingham - 2009 - Portland: Sussex Academic Press.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.
Auditory Neuroscience: Making Sense of Sound.Adam M. Croom - 2014 - Musicae Scientiae: The Journal of the European Society for the Cognitive Sciences of Music 18:1-3.
Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
Philosophy and music.Jerrold Levinson - 2009 - Topoi 28 (2):119-123.
Ingredients of emotional music: An overview of the features that contribute to emotions in music.T. Eerola - forthcoming - Frontiers in Human Neuroscience. Conference Abstract: Tuning the Brain for Music.

Analytics

Added to PP
2014-12-25

Downloads
19 (#803,294)

6 months
3 (#984,770)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references