Critical Drinking: Analyzing Twelfth Night's "Drunken Rogue"

Aletheia: The Alpha Chi Journal of Undergraduate Scholarship 7 (2) (2022)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Add categories

Keywords

Reprint years

DOI

10.21081/ax0349

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,168

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Twelfth Night: New Critical Essays.Gayle Gaskill - 2015 - The European Legacy 20 (1):88-90.
A Rogue Is a Rogue Is a Rogue.Owen S. Surman - 1988 - Hastings Center Report 18 (5):52-52.
Le mythe comme détour dans Twelfth Night The Myth as a Diversion in Twelfth Night.Mauré Cécile - unknown
‘Binge’ drinking in the UK: a social network phenomenon.Paul Ormerod & Greg Wiltshire - 2009 - Mind and Society 8 (2):135-152.
Fractional Rogue Waves with Translational Coordination, Steep Crest, and Modified Asymmetry.Bo Xu, Yufeng Zhang & Sheng Zhang - 2021 - Complexity 2021:1-14.
Men Without Fingers, Men Without Toes.Kit Dobson - 2019 - Text Matters - a Journal of Literature, Theory and Culture 9 (9):185-196.
Shakespeare revisité, entre fidélité et parodie : de La Nuit des Rois à Shake de Dan Jemmett Shakespeare Revisited, Between Fidelity and Parody: From Twelfth Night to Shake by Dan Jemmett.Schwartz-Gastine Isabelle - unknown
Twelfth Night Quartet. Joselyn - 1964 - Renascence 16 (2):92-94.
A solemn combination of souls: A reading of twelfth night.Stephen Mulhall - 1998 - Angelaki 3 (1):153 – 170.
The Serious Comedy of Twelfth Night.Lisa Marciano - 2003 - Renascence 56 (1):3-19.
7 The Truth about Moods.Twelfth Night Shakespeare - 2003 - In G. Preyer, G. Peter & M. Ulkan (eds.), Concepts of Meaning: Framing an Integrated Theory of Linguistic Behavior. Kluwer Academic Publishers. pp. 133.
Sober Thoughts on Drunken Consent.Samuel Director - 2022 - Social Theory and Practice 48 (2):235-261.
The Rogue as an Artist in Patrick deWitt’s The Sisters Brothers.Hilde Staels - 2019 - Text Matters - a Journal of Literature, Theory and Culture 9 (9):153-166.
Double Plotting in Shakespeare's Comedies: The Case of Twelfth Night.Jane K. Brown - 1990 - In Frederick Burwick & Walter Pape (eds.), Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter. pp. 313--23.
“You’ll never meet someone like me again”: Patty Jenkins’s Monster as Rogue Cinema.Michelle D. Wise - 2019 - Text Matters - a Journal of Literature, Theory and Culture 9 (9):66-80.

Analytics

Added to PP
2023-05-23

Downloads
2 (#1,806,850)

6 months
1 (#1,475,915)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references