The Reality of (Non‐Aesthetic) Artistic Value

Philosophical Quarterly 63 (252):492-508 (2013)
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Abstract

It has become increasingly common for philosophers to make use of the concept of artistic value, and, further, to distinguish artistic value from aesthetic value. In a recent paper, ‘The Myth of (Non-Aesthetic) Artistic Value’, Dominic Lopes takes issue with this, presenting a kind of corrective to current philosophical practice regarding the use of the concept of artistic value. Here I am concerned to defend current practice against Lopes's attack. I argue that there is some unclarity as to what aspect of this practice Lopes is objecting to, and I distinguish three kinds of objection that he could be read as making. I argue that none of these is adequately supported by Lopes's arguments, and that the corresponding three aspects of current philosophical practice are on firmer footing than Lopes's paper suggests. A new, plausible characterisation of artistic value will emerge from this discussion

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Louise Hanson
Oxford University

Citations of this work

The authority of pleasure.Keren Gorodeisky - 2021 - Noûs 55 (1):199-220.
Aesthetic Hedonism and Its Critics.Servaas Van der Berg - 2020 - Philosophy Compass 15 (1):e12645.
Let’s be Liberal: An Alternative to Aesthetic Hedonism.Antonia Peacocke - 2021 - British Journal of Aesthetics 61 (2):163-183.
Appreciating Bad Art.John Dyck & Matt Johnson - 2017 - Journal of Value Inquiry 51 (2):279-292.
Artistic Value is Attributive Goodness.Louise Hanson - 2017 - Journal of Aesthetics and Art Criticism 75 (4):415-427.

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