Abstract

Luz Seiberth's interpretation of Sellars as a transcendental philosopher promises to change the way we read Sellars. Nonetheless, I dispute two of his central claims: that by depicting ”picturing” as as a transcendental imposition we can see it as addressing a ”vertical” constraint that Kant does not detect; and that Sellars's transcendental philosophy commits him to a Kantian ”necessitarianism” about categorical strucure. Ultimately, I conclude, Seiberth's focus on Sellars's relationship to Kant in particular distorts his understanding of Sellars's peculiar version of a transcendental methodology.