Abstract

The role of narrativity in the constitution of personal identity, a widely discussed topic in recent philosophy, is also an important issue in Robert Musil’s novel “The Man without Qualities.” Apart from a theoretical passage, where the coherence established by life-narratives is explicitly rejected as an illusion, the novel displays various instances of reflection in which characters seek to articulate their identity by narrating parts of their lives. Not all of these self-narratives are presented as flawed; rather, by highlighting the differences between various instances of self-reflection, the novel suggests that a life-narrative has to meet certain standards in order to further self-understanding. The essay seeks to identify these standards by analysing two examples of self-reflection rendered in Musil’s novel. Furthermore, it briefly compares the novel’s dealing with the issue of narrativity and personal identity with recent philosophical approaches, in particular with Charles Taylor’s view that in order to have an identity, human beings have to understand their lives in the form of a narrative that determines their place relative to the good.