Abstract

Most literature in contemporary critical, feminist, and psychoanalytic thought reads Antigone as a figure of resistance and revolutionary change. In this chapter, I challenge such a reading. I discuss Sophocles’ Antigone as a paradigmatic example of what the Italian political philosopher Giorgio Agamben identified as homo sacer, who is banned from society and deprived of rights and, thus, may subsequently be killed with impunity. Antigone dwells at the zone of indistinction between the public and the private, the included and the excluded, life and death, the animal and the human. She exposes that it is particularly woman and the feminine that stands for bare life that is exposed to an unconditioned capacity to be killed.