Abstract

The lyric is a form or genre of poetry often intimately related to subjectivity. But is a lyricism divested of the subject possible? By examining the philosophical refl ections of Philippe Lacoue-Labarthe upon lyricism, poetry, and their relation to subjectivity, this article explicates how an impersonal lyricism is not only possible, but perhaps necessary. If we wish to do justice to the phrasing or saying of poetic language, then we must endeavour to think the displacement of the subject in and by the very language that the poem expresses. Following Lacoue-Labarthe, this article explores the paradoxical turn of lyricism—that it is bound to the subject, but not to its personal expression; rather, to its disappearance, its displacement, in the expression of language itself. By tracing a sketch of Lacoue-Labarthe’s poetics, relating this thought to the lyrical theories of Hamburger and Culler, and providing a brief explication of one of Lacoue-Labarthe’s “poetic” writings, lyricism is shown to be the testament to the disappearance of the subject, the remainder of a disappearance already passed insofar as the poem remains. What remains is that the lyrical subject would be no “subject” at all—only language itself, intimating its own diction.