Abstract

Third Line is an installation of video projections and selected artefacts presented at the 2014 International Žižek Studies Conference: Parallax Future in Art and Design, Ideology, and Philosophy, with the support of the Ontario Arts Council. Third Line represents a self-referential and speculative study of haiku structure, in conjunction with the idea of optical interference and parallax. The title refers to Žižek’s explanation of the haiku function: the third line of haiku stands for the momentary event where reality loses its substantial mass. The objective was to create a visual experience that affiliates the haiku structure with an experiential system of visual perception. We designed a dual, parallax video projection system, with one facet of the screen revealing a sequence of haiku text – metaphrasms systematically extracted from Žižek’s books – as the other side showed a video of ambient, material dissolution. The installation also featured a tableau of collected objects, referencing the project’s material development and ideological framework