Abstract

This paper suggests that genealogy is an exemplary form of critique. The stakes of this argument are established in the course of on intial response to critics of genealogy such as Habermas and Fraser throght the distinguishing of legislative and exemplary forms or critique. The essay then goes on to to show how Foucault's central concern, namely, the relation of humanism and bio-power, leads him to articulate an ethics of creativity which exhibits an ethods of ironic heroization and discloses a conception of the political as agon. Reflecting on these features of genealogy's saying, it is argued that the form of genealogical reflection manifests these features. This emphasis on the showing of genealogy leads to the claim that Foucault's anti-humanism, mode of historical consciousness and perspectivism reproduce the substantive commitment of genealogy to the value of autonomy within the structure of genealogical reflection.