A history of key characteristics in the eighteenth and early nineteenth centuries

Rochester, NY: University of Rochester Press (1996)
  Copy   BIBTEX

Abstract

Steblin's fully updated reference focuses on musical key characteristics during the baroque, classical, and romantic periods. (Music)

Categories

Keywords

Reprint years

2002

Call number

ML3838.S8 2002

ISBN(s)

1580460410   1878822624   0835714187
View all bargains

Buy this book

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,150

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Why music moves us.Jeanette Bicknell - 2009 - New York: Palgrave-Macmillan.
Philosophies of Music in Medieval Islam.Fadlou Shehadi - 1995 - E.J. Brill.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Music and the politics of culture.Christopher Norris (ed.) - 1989 - New York: St. Martin's Press.
Formalized music.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
The magic of tone and the art of music.Dane Rudhyar - 1982 - [s.l.]: Distributed in the United States by Random House.
A Different Story: Aesthetics and the History of Western Music.Karl-Olof Edström - 2007 - Pendragon Press. Edited by Joel Speerstra.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.
Music and the historical imagination.Leo Treitler - 1989 - Cambridge: Harvard University Press.
Language, music, and the sign: a study in aesthetics, poetics, and poetic practice from Collins to Coleridge.Kevin Barry - 1987 - New York: Cambridge University Press.

Analytics

Added to PP
2009-01-28

Downloads
75 (#221,329)

6 months
17 (#150,073)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references