Truffles Have Never Been Modern: An Actor-Network Theorization of 150 Years of French Trufficulture

Dissertation, Florida International University (2018)
  Copy   BIBTEX

Abstract

Contemporary scholars seeking to increase Tuber Melanosporum truffle production rely almost exclusively on technological advancements to increase yields, while failing to place the cultivation of truffles, trufficulture, in its historical or local landscape contexts. In this dissertation, I describe how truffle scholars’ conceptualization of trufficulture and landscapes has changed over 150 years in France, while focusing on the French département of Lot. I examine changing relations between humans and nonhumans and how they impact truffle harvests. I analyzed the history of French trufficulture through a close reading of historic truffle manuals, archival research and the classification of remotely sensed images. Shifting from the past to the present, from July 2014-August 2016, I conducted semi-structured survey interviews with working truffle-growers (trufficulteurs) and participant observation at meetings of trufficulteurs, truffle hunts and truffle markets. I utilize actor-network theory (ANT) as both a theory and methodology. Actor-network theory allowed me to follow the impacts made by both humans and nonhumans on trufficulture. I found that truffle harvests in the 1880s dropped by 90%. Highly populated, intensively worked landscapes of viticulture, silvopastoralism and cereal cultivation created conditions suitable to truffles. By the 1870s the phylloxera aphid ravaged grapevines, which made trufficulture an important source of revenue. These advantageous conditions would not last. Post-WWI, yields fell for decades because of an ongoing rural population exodus and consequent agricultural abandonment, which promoted reforestation and closed canopy forests in Lot, France. By the 1960s, French trufficulteurs organized associations to share knowledge and promote local truffle markets to revive production. Trufficulteurs’ utilization of tractors, ‘inoculated’ plants and irrigation systems produced a new form of “modern” trufficulture. State subsidies helped trufficulteurs adopt “modern” practices, in hopes of increasing yields. “Modern” trufficulture has not dramatically increased yields. A few highly-capitalized trufficulteurs dominate production in Lot. Many others practice trufficulture as a hobby. Instead of relying on “modern” technological fixes, my findings suggest that trufficulteurs, farmers and states should reinvigorate extensive polyculture farming practices that maintain open canopy forests, which were beneficial to trufficulture in the past. Actor-network theory allowed me to rethink human and nonhuman relations, and to propose alternatives to “modern” trufficulture.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,261

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Reassembling the Social: An Introduction to the Actor-Network Theory.Bruno Latour - 2005 - Oxford, England and New York, NY, USA: Oxford University Press.
Bruno Latour and actor-network-theory.Bozidar Filipovic - 2012 - Filozofija I Društvo 23 (1):129-149.
3D Printing and Actor-Network Theory.Graham Harman - 2015 - International Journal of Actor-Network Theory and Technological Innovation 7 (1):1-9.
An Actor-Network Theory of Cosmopolitanism.Hiro Saito - 2011 - Sociological Theory 29 (2):124-149.
Michel Foucault, Technology, and Actor-Network Theory.Steve Matthewman - 2013 - Techné: Research in Philosophy and Technology 17 (2):274-292.
Actor‐Networking the News.Fred Turner - 2005 - Social Epistemology 19 (4):321 – 324.

Analytics

Added to PP
2019-06-17

Downloads
17 (#872,959)

6 months
1 (#1,478,781)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references