This Sage handbook offers a panoramic view of the broad field of international relations by integrating three distinct but interrelated foci. It retraces international relations' historical devolopment as a professional field of study, expolores the philosophical foundations of international relations, and interrogates the sociological mechanisms through which scholarship is produced and the field is structured. The 41 chapters are structured into five parts: 01. Reflections on a disciplinary practice02. Imagining the international, acknowledging the global03. The search for (an) identity04. International (...) relations as a profession05. Looking ahead: the future of meta-analysis. (shrink)

[opening paragraph]: The city is not simply a location in space, but also a vehicle in time that can itself accelerate the evolution of consciousness. Like molecules packed into the membrane of a cell, the minds that are packed into a city take on a new life that is energized by the city's intensification of space and time. The first cities of ancient Sumer were ceremonial centres organized around the sacred precinct of the temple. Sumerian mythology stated that these cities (...) were founded and lived in by the gods. One of the earliest texts we have in Sumerian mythology is the story of how the goddess Inannna transferred the arts of civilization from the god Enki's favoured city of Eridu to her own beloved Erech. The text is a fundamental expression of the ancient Arithmetic Mentality, as it displays the numinosity of the list and delights in repeating, in strophe after strophe, the enumeration of these me's that were loaded on and unloaded from Inanna's riverine barge. (shrink)

Mesopotamian works are usually anonymous; at best the names of some copyists are known. Some significant exceptions, such as Saggil-kênam-ubbib, the author of Théodicée babylonienne, Kabti-ilî-Marduk, author of the ‘myth of Erra’, and Shamash-muballit, the son of Warad-Sîn, who may have been the author of a hymn to the goddess Inanna, do not make up for this lacuna.

Through the frame of the Sumerian myth of Inanna, this essay explores Joseph Campbell’s body of work on the hero’s journey and living mythology. Particular focus is placed on examining both the place of woman as hero and the symbol of woman for the hero in Campbell’s work. This essay suggests that Campbell’s theories present both possibilities and problems from the perspective of feminist analysis for the representation of woman as hero.