This article considers the concept of the utopia from the point of view of garden design. It begins with an evocation of the `Jardin de Julie', the literary garden described in Rousseau and acutely analysed by Louis Marin. It then passes to a series of actual gardens created by the French contemporary designer Bernard Lassus, in which the use of landscape effects is seen as achieving similar dislocations of space and incitements to the imagination.

This article addresses a project by Bernard Lassus, a celebrated French landscape architect, for a rest area on a highway outside Nimes, France. Using this project as a lens, it asks whether a tourist can approach any sense of Heidegger’s concept of dwelling. It goes on to inquire about fresh visions of places, citing familiar modernist approaches and postmodern ones advocated by Lyotard. After dealing with cultural differences in the promotion of tourist sites, it attempts to dissect Lassus’s (...) motives and references in the design of the Nimes-Caissargues Rest Area. Finally, it places Lassus’s project in the context of earlier gardens about cities, use of simulacra, Heidegger’s theory of dwelling, and Lyotard’s concept of “unpresentable.”. (shrink)