Offers an original reading of Wittgenstein's views on such topics as radical scepticism, the first- and third-person asymmetry of mental talk, Cartesianism, and rule-following.

How much privacy must be sacrificed by the partners in a romantic relationship? I begin by showing that we are obligated to reveal to our lovers information about ourselves that we believe could possibly cause them to withdraw their affections from us. If we were to conceal this information, then the lover would be mistaken about whom they loved, yet continue to respect obligations towards, and make sacrifices for, us. I conclude, though, by discussing some problems with both the intelligibility (...) of this obligation and our ability to fulfil it. These problems arise from epistemological and metaphysical problems connected with the notion of a self. (shrink)

Since then the book and its reclusive author have been fixtures of both popular and literary culture.

This article considers the obligations filmmakers have when presenting historical dramas. That the form is dramatic art, it is argued, does not relieve filmmakers of the ordinary obligation to present as accurately as possible what they claim is historical truth. The article explores how filmmakers can make such a claim, over what it extends, and the limits and scope of the obligation it entails.

Computer-generated imagery (CGI) has transformed filmmaking. It has made it possible to film scenes that could not even be conceptualized without such technology. It has also made it easier to film many other types of scenes by relieving filmmakers of the need to reproduce entirely narrative elements at the profilmic level. For example, instead of performing dangerous stunts or creating expensive sets, filmmakers can create these elements digitally. This paper details how this advantage of CGI deprives filmmakers of a technique (...) for enhancing audiences’ affective responses. When elements are duplicated at the profilmic and narrative levels, the overall affective response can be enhanced by eliciting the same affective responses to both levels. I label this phenomenon affect doubling. The dominance of CGI threatens to render this technique obsolete. (shrink)

_Sexual Harassment: An Introduction to the Conceptual and Ethical Issues_ covers the most important normative, conceptual, and legal issues associated with sexual harassment. Keith Dromm provides an insightful introduction to the theoretical and practical discussion, examining the most influential approaches to sexual harassment and offering his own analyses. Each chapter ends with review questions, discussion questions, and suggestions for group activities.

In On Certainty, §166, Wittgenstein mentions the difficulty of realizing the “groundlessness of our believing.” In the course of reviewing what makes this realization so difficult, I examine a certain way of understanding one of Wittgenstein's techniques for getting us to realize it, his use of the “hinge” metaphor. It implies that hinge-propositions possess that status inherently; for some commentators, this is because of their connection to instinctive and habitual behaviours. I offer an alternative interpretation of the remarks that have (...) been used to support this understanding that better explains their role in Wittgenstein's response to scepticism and other epistemological problems. (shrink)

This paper discusses the methods of the investigators in film noir. They are different than those employed by the classic detective of mystery and crime fiction, which involve observation, the collection of clues, logical inference, and are generally modeled on the methods of the scientist. I illuminate the methods of the noir investigator by comparing them to those applied by Ludwig Wittgenstein to philosophical problems. Both the noir investigator and Wittgenstein deal with problems that are intractable to the methods of (...) logic and science. Wittgenstein thought that philosophical problems could not be solved using these methods; I show that the problems that typically confront the noir investigator are similarly resistant to them. Wittgenstein and the noir investigator model alternative methods for solving epistemic problems and in doing so remind us of the limits of science and logic. (shrink)