In this paper, I discuss, in a Heideggerian context, the possibility of de-subjectivizing the notion of the transcendental time-horizon and reinterpreting it as a formally indicated ‘whereto’ of releasement. The structures of the time-horizon depict the way beings unfold in the fullness of time in their alterity, and they orient the subject’s activity of ‘projection.’ What results is a field-oriented (as opposed to self-oriented) transcendental philosophy which would survive Heidegger’s critique of his own transcendental project, and which would avoid mystification. (...) I take three steps. First, I point out that the problematization of ‘transcendental Heidegger’ is based on the subjectivist interpretation of the time-horizon. I problematize a recent account in the subjectivist vein, arguing that it is neither indispensable, nor very plausible, nor the most illuminative of Heidegger’s work. Second, with the help of Dahlstrom, Golob, Engelland, Sheehan, and Vasterling, I gradually dissociate the notion of the horizon from subjectivism, the visual metaphor, and the assumption of an absolute ground. I suggest instead that the horizonality of the horizon be understood temporally, i.e., as an interplay of presencing and absencing where what matter most are the structures, themselves affected by time, which the transcendental field displays when beings unfold themselves within it. Third, I identify three of those structures when performing a de-subjectivizing reading of Heidegger’s interpretation of the threefold synthesis in Kant’s A-Deduction. These structures capture the way every being manifests itself, without themselves being necessarily grounded in the subject’s activity. This gives an example of how transcendental philosophy can clarify what the time-horizon is like while bracketing the question of its provenance. (shrink)

This article formulates the “enigma of time” as the paradoxical compatibility between the apparent completeness of a temporal object’s presence and the actual incompleteness of its manifestation. Proceeding with the methodological assumption that this paradox cannot be “solved” by positing an atemporal foundation, I point to a constant risk in Husserl’s transcendental phenomenology that the temporality of temporal phenomena is traced to an atemporal activity arranging equally atemporal contents—and thereby is explained away rather than explained. The risk was already recognizable (...) in the “schematic model” of apprehension, and it persisted in the foundationalist interpretation of “absolute time-consciousness.” By contrast, I suggest a hermeneutics that takes time seriously, which comprehends the paradox and make it the productive core of philosophizing. Only in this way can time cease to be a petrifying impasse and instead redefine the landscape of philosophy. (shrink)

This article formulates the “enigma of time” as the paradoxical compatibility between the apparent completeness of a temporal object’s presence and the actual incompleteness of its manifestation. Proceeding with the methodological assumption that this paradox cannot be “solved” by positing an atemporal foundation, I point to a constant risk in Husserl’s transcendental phenomenology that the temporality of temporal phenomena is traced to an atemporal activity arranging equally atemporal contents—and thereby is explained away rather than explained. The risk was already recognizable (...) in the “schematic model” of apprehension, and it persisted in the foundationalist interpretation of “absolute time-consciousness.” By contrast, I suggest a hermeneutics that takes time seriously, which comprehends the paradox and make it the productive core of philosophizing. Only in this way can time cease to be a petrifying impasse and instead redefine the landscape of philosophy. (shrink)

In this paper, I explore the ontological implication of Sartre’s and Heidegger’s phenomenological accounts of emotion. I start by looking at Sartre’s notion of the ‘magical world’ in his booklet Sketch for a Theory of the Emotions, showing how emotion, for him, reveals the overall structure of ‘human reality’ rather than a dispensable aspect of it. Discussing experiences of the magical world allowed Sartre to ‘bracket’ what he called ‘the determinism of the world’, which predominated naturalist-representationalist psychology of emotion in (...) his time. Then I derive from Sartre’s account of emotion an ontological implication, i.e., that the world is primarily magical. Without at once deciding whether this applies to Sartre, I exhibit how radical it can get by examining Heidegger’s more consistent account of emotion in Being and Time. There, it turns out that the determinist, neutral world championed by representationalism relies on an ‘emotionless emotion’ and thus is not fundamental. Finally, I suggest that, while textual evidences in Sketch for a Theory of the Emotions are inconsistent and allow a strong and a weak interpretation of its ontological implication, the former should be favored in consideration of Sartre’s later development. (shrink)