In this paper, we provide a historical exposition of John Buridan's theory of divided modal propositions. We then develop a semantic interpretation of Buridan's theory which pays particular attention to Buridan's ampliation of modal terms. We show that these semantics correctly capture his syllogistic reasoning.

The aim of this paper is to look at the arguments advanced by three Parisian arts masters about how to understand Prior Analytics II 4 and the more general discussion that medieval authors situate...

This paper explores a currently unnoticed argument used by John Buridan to defend his analysis of modal propositions and to reject the analysis of modal propositions of necessity put forward by William of Ockham. First, I explore this argument and, by considering possible responses of Ockham to Buridan, show some of the ways in which Ockham seems to be keeping closer to Aristotle's remarks about modal propositions in Prior Analytics, 18.

We give a simple definition of validity for syllogisms involving necessary and assertoric premises which validates all and only the Aristotelian apodeictic syllogisms.

In this paper we will argue that the ontology implicit in John Buridan’s modal octagon commits him to a form of contingentism. In particular, we will argue that Buridan is committed to denying the validity of the Barcan and converse Barcan formulae.

In the last 30 years there has been growing interest in and a greater appreciation of the unique contributions that medieval authors have made to the history of logic. In this thesis, we compare and contrast the modal logics of Robert Kilwardby and John Buridan and explore how their two conceptions of modality relate to and differ from modern notions of modal logic. We develop formal reconstructions of both authors' logics, making use of a number of different formal techniques. In (...) the case of Robert Kilwardby we show that using his distinction between per se and per accidens modalities, he is able to provide a consistent interpretation of the apodictic fragment of Aristotle's modal syllogism and that, by generalising this distinction to hypothetical construction, he can develop an account of connexive logic. In the case of John Buridan we show that his modal logic is a natural extension of the usual Kripke-style possible worlds semantics, and that this modal logic can be shown to be sound and complete relative to a proof-theoretic formalisation of Buridan's treatment of the expository syllogism. (shrink)

If there are true contradictions, where are they? In language or in the world? According to one important view, best represented by Jc Beall (2009), only the former. In this paper, we raise a problem for this view. In order to defend a “merely semantic” version of dialetheism (aka ‘glut theory’), Beall adopts transparent accounts of truth and falsity, which gives rise to “dialethic ascent” on which true contradictions are also, contradictorily, untrue contradictions. This is a consequence of trying to (...) restrict contradictions to language and keep them out of the world. However, in this paper, we show that this ascent carries over intensional contexts, so that, on this version of dialetheism, even if there are true contradictions, no one knows a true contradiction. This shows that contradictions have not been kept out of the world. We end by connecting this issue with the infamous ‘just true’ problem. (shrink)

A collection of new essays on the influential medieval philosopher John Buridan, written by leading Buridan scholars. The volume places Buridan in his philosophical context and examines his writings on topics including logic, modal logic, paradoxes, metaphysics, epistemology, theory of knowledge, moral philosophy, and natural philosophy.

In this paper we look at the suitability of modern interval-based temporal logic for modeling John Buridan’s treatment of tensed sentences in his Sophismata. Building on the paper [Øhrstrøm 1984], we develop Buridan’s analysis of temporal logic, paying particular attention to his notions of negation and the absolute/relative nature of the future and the past. We introduce a number of standard modern propositional interval temporal logics to illustrate where Buridan’s interval-based temporal analysis differs from the standard modern approaches. We give (...) formal proofs of some claims in [Øhrstrøm 1984], and sketch how the standard modern systems could be defined in terms of Buridan’s proposals, showing that his logic can be taken as more basic. (shrink)

In this paper we look at the suitability of modern interval-based temporal logic for modeling John Buridan’s treatment of tensed sentences in his Sophismata. Building on the paper, we develop Buridan’s analysis of temporal logic, paying particular attention to his notions of negation and the absolute/relative nature of the future and the past.We introduce a number of standard modern propositional interval temporal logics to illustrate where Buridan’s interval-based temporal analysis differs from the standard modern approaches. We give formal proofs of (...) some claims in, and sketch how the standard modern systems could be defined in terms of Buridan’s proposals, showing that his logic can be taken as more basic. In diesem Aufsatz betrachten wir das Geeignetsein einer modernen intervallbasierten temporalen Logik für die Modellierung von John Buridans Behandlung zeitabhängiger Sätze in seinen Sophismata. Aufbauend auf den Aufsatz stellen wir Buridans Analyse der temporalen Logik dar, mit besonderer Berücksichtigung seiner Begriffe der Negation und der absoluten/relativen Natur der Zukunft und der Vergangenheit. Wir führen einige standardmäßige moderne intervallbasierte temporale Aussagenlogiken ein, um zu illustrieren, wo Buridans intervallbasierte temporale Analyse von den standardmäßigen modernen Zugangsweisen abweicht. Wir geben formale Beweise einiger Behauptungen in an und skizzieren, wie die standardmäßigen modernen Systeme im Sinne der Vorschläge Buridans definiert werden könnten; wir zeigen damit, dass seine Logik als die grundlegendere aufgefasst werden kann. (shrink)