Digital technologies mediate engagement with the world by making activities visible. The automaticity and physicality of the ways in which they do this suggest that it could be productive to view them as responsive digital materials. This paper explores the structure and function of responsive materials in order to develop a conceptualization of responsive digital materials. It then begins to unpack the complexities of digital material mediation through both drawing on and extending existing postphenomenological theory.

In the face of massively increased technological complexity, it is striking that so many of today’s computational and networked things follow design ideals honed decades ago in a much different context. These strong ideals prescribe a presentation of things as useful tools through design and a withdrawal of aspects of their functionality and complexity. Beginning in the mid-twentieth century, we trace this ‘withdrawal program’ as it has persisted in the face of increasing computational complexity. Currently, design is in a dilemma (...) where computational products can be seen as brilliantly designed and engaging to use yet can also be considered very problematic in how they support hidden agendas and often seem less than trustworthy. In this article, we analyse factors shaping this emergent ethical dilemma and reveal the concept of _a widening rift_ between what computational _things actually are and do_ and _the ways in which they are presented as things for use_. Against this backdrop, we argue that there is a need for a new orientation in design programs to adequately address this deepening rupture between the aesthetics and ethics in the design of computational things. (shrink)

The digital computational technologies that over the past decades have come to be fully integrated into nearly all aspects of human life have varying forms, scales, interactive mechanisms, functions, configurations, and interconnections. Much of this complexity and associated implications for human experience are, however, hidden by prevalent notions of ‘the computer’ as an object. In this paper, we consider how everyday digital technologies collectively mediate human experience, arguing that these technologies are better understood as fluid assemblages that have as many (...) similarities with the infra-structural as they have properties typical for objects. We characterize these aspects in terms of ‘wicked interactions,’ drawing on and adapting the classic theory of wicked problems in design discourse that has similarly considered the complexity of interactions with and within other types of social infrastructure. In doing this we emphasize the need and the potential for building up connections between philosophy of technology and design discourse, with the hope that this might further the shared goals of understanding digital technologies and their consequences and determining how to act in relation to them and their design. (shrink)

Both perspective and leverage are needed in order to arrive at a place where it is possible to do the philosophical work required in order to adequately account for our present sociotechnical landscape. One of the key characteristics of this landscape is the collapse of scale, as things become more like fluid assemblages and the economic incentives of surveillance capitalism turn ordinary things into surveillance devices tuned for others’ profit. In this context we need a language not only of imagination (...) and humility in the face of countless gaps between things, but also one of entanglement, care, and response-ability. (shrink)

Both perspective and leverage are needed in order to arrive at a place where it is possible to do the philosophical work required in order to adequately account for our present sociotechnical landscape. One of the key characteristics of this landscape is the collapse of scale, as things become more like fluid assemblages and the economic incentives of surveillance capitalism turn ordinary things into surveillance devices tuned for others’ profit. In this context we need a language not only of imagination (...) and humility in the face of countless gaps between things, but also one of entanglement, care, and response-ability. (shrink)