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  1. The Aesthetics of Theory Selection and the Logics of Art.Ian O’Loughlin & Kate McCallum - 2018 - Philosophy of Science (2):325-343.
    Philosophers of science discuss whether theory selection depends on aesthetic judgments or criteria, and whether these putatively aesthetic features are genuinely extra-epistemic. As examples, judgments involving criteria such as simplicity and symmetry are often cited. However, other theory selection criteria, such as fecundity, coherence, internal consistency, and fertility, more closely match those criteria used in art contexts and by scholars working in aesthetics. Paying closer attention to the way these criteria are used in art contexts allows us to understand some (...)
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    The Art Experience.Kate McCallum, Scott Mitchell & Thom Scott-Phillips - 2020 - Review of Philosophy and Psychology 11 (1):21-35.
    Art theory has consistently emphasised the importance of situational, cultural, institutional and historical factors in viewers’ experience of fine art. However, the link between this heavily context-dependent interpretation and the workings of the mind is often left unexamined. Drawing on relevance theory—a prominent, cogent and productive body of work in cognitive pragmatics—we here argue that fine art achieves its effects by prompting the use of cognitive processes that are more commonly employed in the interpretation of words and other stimuli presented (...)
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    Mathematics, relevance theory and the situated cognition paradigm.Kate McCallum - 2022 - Pragmatics and Cognition 29 (1):59-81.
    Mathematics is a highly specialised arena of human endeavour, one in which complex notations are invented and are subjected to complex and involved manipulations in the course of everyday work. What part do these writing practices play in mathematical communication, and how can we understand their use in the mathematical world in relation to theories of communication and cognition? To answer this, I examine in detail an excerpt from a research meeting in which communicative board-writing practices can be observed, and (...)
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    Correction to: The Art Experience.Kate McCallum, Scott Mitchell & Thom Scott-Phillips - 2020 - Review of Philosophy and Psychology 11 (1):37-37.
    In the published article the following information should have been included: Acknowledgment TSP was financially supported by Durham University’s Addison Wheeler bequest and by the European Research Council, under the European Union’s Seventh Framework Programme /ERC grant agreement no. 609819.
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  5.  12
    Review of Alva Noë’s Strange Tools Indeed: Alva Noë and Art as Reorganisation. [REVIEW]Kate McCallum - 2018 - Essays in Philosophy 19 (2):323-327.
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