Might paranoia bear some promise, not only danger, for democratic theory and politics? To suggest that we should treat paranoia with anything but disdain today, in the age of Q anon and other white-supremacist lies, seems dangerous. But three decades ago, feminist theorist Naomi Schor took the risk and defended female paranoia, arguing that paranoia is an appropriate affect for feminist theory and critique. This essay follows Schor’s invitation to risk proximity to paranoia. I argue that the political importance of (...) Schor’s essay lies in one particular attribute of female paranoia that she celebrates: its love of detail. To explore the promise and limitations of the paranoid love of detail I pair Schor with two 20th-century theorists – Hannah Arendt and Simone de Beauvoir. Each studies a paranoid woman who clings to details: Arendt’s Rahel Varnhagen counts the number of teacups that she serves in her German salon. Beauvoir’s housewife collects tufts of dust. With Schor, Arendt and Beauvoir, the article argues that love of detail is a critical component not only of paranoid indictments of the world, but also of any project that desires to repair the world in the wake of paranoia. (shrink)

This essay reads Hannah Arendt’s Rahel Varnhagen alongside Sigmund Freud’s case history of paranoia, The Schreber Case, two texts about 18th- and 19th-century personalities caught up in the gender and ethnic politics of their times. Noting affinities between the fantasies documented in Varnhagen’s and Schreber’s memoirs, I compare Seyla Benhabib’s and Eric Santner’s readings of these two texts as political, not psychological, documents. I propose a reading of paranoia positioned between Benhabib’s too optimistic dismissal of paranoia and Santner’s too tragic (...) approach. The result is a new reading of Varnhagen’s story and an approach to paranoia as a potentially promising political affect. Might paranoia stand not just for world-withdrawal but also for world-building? If so, this would be in keeping with Arendt’s own treatment of her subject’s persecution fantasies not only as a “verdict against the world” but also as a desire for a world. (shrink)

Systems for color naming across languages have been a fascinating topic for decades. Zaslavsky and colleagues challenge Gibson's argument that color names are shaped by patterns of communicative need. Using an information‐theoretic analysis, they show that color naming is shaped by both perceptual structure (as is usually argued) but also by communication need.

This article starts with a critical reflection on John Westlake’s reading of the history of empire and the English/British East India Company – for him, essentially, the proper concern of ‘constitutional history’ rather than international law. For Westlake, approaching this history through the prism of nineteenth-century positivist doctrine, the Company’s exercise of war powers could only result from state delegation. Against his warnings to international lawyers not to stray from the proper boundaries of international legal inquiry, the article proceeds to (...) recover Hugo Grotius’s theory of corporate belligerency in his early treatise De iure praedae. For Grotius, corporations could wage public war on behalf of the state yet, at the same time, were in law capable of waging private war in their own right. The article proceeds to reflect on the practice of corporate belligerency in the centuries separating Westlake and Grotius; it concludes with observations on the implications of Grotius’s theory of corporate belligerency today. (shrink)

In this book, Shlomo Biderman examines the views, outlooks, and attitudes of two distinct cultures: the West and classical India. He turns to a rich and varied collection of primary sources: the _Rg Veda_, the Upanishads, and texts by the Buddhist philosophers Någårjuna and Vasubandhu, among others. In studying the West, Biderman considers the Bible and its commentaries, the writings of such philosophers as Plato, Descartes, Berkeley, Kant, and Derrida, and the literature of Kafka, Melville, and Orwell. Additional sources are (...) Mozart's _Don Giovanni_ and seminal films like Ingmar Bergman's _Persona_. Biderman uses concrete examples from religion and literature to illustrate the formal aspects of the philosophical problems of transcendence, language, selfhood, and the external world and then demonstrates their plausibility in actual situations. Though his method of analysis is comparative, Biderman does not adopt the disinterested stance of an "ideal" spectator. Rather, Biderman approaches ancient Indian thought and culture from a Western philosophical standpoint to uncover cultural presuppositions that can be difficult to expose from within the culture in question. The result is a fascinating landmark in the study of Indian and Western thought. Through his comparative prism, Biderman explores the most basic ideas underlying human culture, and his investigation not only sheds light on India's philosophical traditions but also facilitates a deeper understanding of our own. (shrink)

Many physicians, anatomists and natural philosophers engaged in attempts to map the seat of the soul during the so-called Scientific Revolution of the European seventeenth century. The history of these efforts needs to be told in light of the puzzlement bred by today's strides in the neurological sciences. The accounts discussed here, most centrally by Nicolaus Steno, Claude Perrault and Thomas Willis, betray the acknowledgement that a gap remained between observable form, on the one hand, and motor and sensory functions, (...) on the other. Observation yielded information about form, but did not guarantee a constant correlation with presumed function, while the mechanisms of sense and movement did not fit in with accounts of action and cognition whose purpose was to place the connection between active body and willful, conscious soul onto a descriptive rather than metaphysical plane. Teleology was now no longer a helpful tool in the disciplines of anatomy and physiology; the consequences of this are still with us. (shrink)

Background:Cardio-pulmonary resuscitation is the default procedure during cardio-pulmonary arrest. If a patient does not want cardio-pulmonary resuscitation, then a do not attempt resuscitation order must be documented. Often, this order is not given; even if thought to be appropriate. This situation can lead to a slow code, defined as an ineffective resuscitation, where all resuscitation procedures are not performed or done slowly.Research objectives:To describe the perceptions of nurses working on internal medicine wards of slow codes, including the factors associated with (...) its implementation.Research design:This was a cross-sectional, descriptive study. Participants completed a personal characteristics questionnaire and the Perceptions and Factors of Slow Codes questionnaire designed for this study.Participants and research context:The sample was a convenience sample of nurses working on internal medicine wards in two Israeli hospitals.Ethical considerations:The study received ethical approval from both institutions, where data were collected and stored according to institutional policy.Findings:Most reported that resuscitations were conducted according to protocol. Some took their time calling the code, or waited by the bedside and did not perform cardio-pulmonary resuscitation. Factors most associated with slow codes were poor patient prognosis and a low chance of patient survival. Two-thirds reported that slow codes were done on their unit and the majority perceived slow codes as ethical.Discussion:This study confirms that slow codes are part of medical care on internal medicine wards, where most nurses perceive them as an ethical alternative. These perceptions are in contrast to most legal and ethical opinions expressed in the literature.Conclusion:Nurses should be educated about the legal and ethical implications of slow codes, and qualitative and quantitative studies should be conducted that further investigate its implementation. (shrink)

A fragment of a relief icon, made of steatite plaque, depicting a female saint,was recently found in Acre (Akko) in northern Israel. The plaque has lost the head of the saint, but enough is left of the figure to discern that the pose of the female saint is typically Byzantine. Moreover, the drapery shows stylistic affinities with Komnenian art. The plaque is the first steatite icon found in Palestine and could have arrived in Acre from abroad. The archeological context suggests (...) that it might have been venerated in Acre anytime between the Crusader and the Ottoman periods. (shrink)

Abstract According to idealism the world, as we perceive it, is in effect a creation of the mind. There are many different forms of idealism and this paper investigates one form of idealism that was advocated by the 4th century Buddhist Yog?c?rin Vasubandhu and one not unfamiliar in the west, especially in the works of George Berkeley. This paper suggests that when idealism, as a metaphysical theory, is set within a soteriological framework, as is the case with Vasubandhu, it serves (...) to bridge the philosophical endeavour with the religious quest as outlined in Buddhist thought. Idealism is a theory about the borders between mind and matter, and specifically about the demolition of matter. This demolition, in the hands of Vasubandhu, manages to redefine the framework of speculation by incorporating the soteriological within it and thus constructing a viable bridge between philosophy and religion. (shrink)

Letterforms are an inseparable part of a civilized literary landscape. At some distant point in history, letters started as representations of things in the world. Then, gradually, through a complex evolutionary process, they came to be defined as the closed shapes of a writing system. This photo-typographic essay is a meditation on this remarkable transition. Exploring the relationship between typography and the visual world around us, the essay looks at the twenty-six letters of the English version of the Roman alphabet (...) in four manners: as the world presenting itself in the shape of a letter, as an intended letter in space, as a flat letter on paper, and finally as a pure geometric form embodied in a typeface. Familiar letterforms are presented in fresh, surprising ways, forming an homage to the beauty of type and a reflection on its ubiquity in our visual understanding of the world around us. Alongside the fascinating images, Ornan Rotem's text offers an overview and a detailed discussion of each letter. In this unusual book, text and image coalesce to create a modern day primer on letters: a typographic abecedarium. (shrink)

People frequently make ethical choices they later regret. Causal Loop Archetypes offer a basic systems framework for analyzing the unintended consequences of personal and professional ethical decisions. Pressure or enticement or defensiveness can stymie individuals’ rational sensemaking. Causal Loop Thinking, and in particular the “Fixes That Fail” Archetype, draw on the familiar decision model of identifying the problem, specifying the alternative courses of action andtheir consequences, to guide our final choice. As students grapple with their own conflicts and business school (...) faculty look for tools to anticipate professional ethical dilemmas, Causal Loop Thinking can expand our awareness of the context of choices and actions, thus leading to a more fully assessed decision. (shrink)

The merging of the positions of photographer and collector defines the drive of a certain kind of photographic work, for which the camera becomes a collecting device, accumulating a collection that speaks the subjectivity of its author – the photographer. There are, however, two impulses at work here: the photographer-as-collector and the collector-as-photographer. Both are present in the work of Martin Parr, who has openly admitted that he has ‘the collecting gene’, but also, somewhat earlier, in the work of Walker (...) Evans whose obsession with collectibles and whose mode of photographic collecting provide a striking historical precedent for Parr’s compulsive practice. My article explores the collecting impulse that motivates these photographers and, more particularly, shapes a new mode of making photographs and cataloguing social life that seem to escape established genre categories, including especially the category of documentary. (shrink)

Name der Zeitschrift: Byzantinische Zeitschrift Jahrgang: 109 Heft: 1 Seiten: 97-108.

People frequently make ethical choices they later regret. Causal Loop Archetypes offer a basic systems framework for analyzing the unintended consequences of personal and professional ethical decisions. Pressure or enticement or defensiveness can stymie individuals’ rational sensemaking. Causal Loop Thinking, and in particular the “Fixes That Fail” Archetype, draw on the familiar decision model of identifying the problem, specifying the alternative courses of action andtheir consequences, to guide our final choice. As students grapple with their own conflicts and business school (...) faculty look for tools to anticipate professional ethical dilemmas, Causal Loop Thinking can expand our awareness of the context of choices and actions, thus leading to a more fully assessed decision. (shrink)

In his book Byzantine Art in the Making; Main Lines of Stylistic Development in Mediterranean Art 3 rd–7 th Century, Ernst Kitzinger describes three types of subjects represented in a group of ivory plaques most likely executed in the same Roman workshop c. 400. He begins with the famous pair of ivory panels inscribed with the names Nicomachi (Paris, Musée Cluny) and Symmachi (London, Victoria and Albert Museum), two of the old Roman senatorial families known for their efforts and actions (...) to preserve and protect pagan rites during the final decades of the fourth century in Rome [fig. 1]. Each of the two panels shows a priestess performing a rite before an altar. Kitzinger's main interest was in the classicistic style of the settings and figures, recruited to emphasize the patrons' purposes. He compares the priestess diptych with the official ivory diptych of Rufius Probianus. There in each part Probianus, vicarius of the city of Rome, is seen seated on a throne flanked by two notaries [fig. 2]. Below, two patricians stand in acclamation pose. The devotional pair of ivories and the official one, says Kitzinger, are closely related. The borders of the first diptych, made of “delicately wrought palmette ornament” are identical with the frames of the second one, including the borders dividing the Probianus panels into upper and lower zones. (shrink)

A diabetic woman awakens from a coma having forgotten the last ten years of her life. A Haitian immigrant has nightmares that begin bleeding into his waking hours. A retired teacher loses the use of her right hand due to pain of no known origin. Noga Arikha began studying these patients and their confounding symptoms in order to explore how our physical experiences inform our identities. Soon after she initiated her work, the question took on unexpected urgency as Arikha's (...) own mother began to show signs of Alzheimer's disease. In The Ceiling Outside, Arikha recounts this life-changing experience and grapples with the unbreakable links between our bodies and our sense of self. Weaving together stories of her subjects' troubles and her mother's decline, Arikha searches for some meaning in the science she has set out to study. The result is an unforgettable journey across the ever-shifting boundaries between ourselves and each other."--. (shrink)

Let Essentialism be the view that at least some object has at least some property essentially. And let Relative Essentialism be the view that Essentialism is true, but that for any object that has any property essentially, it has it essentially only relative to the value of some parameter. Meghan Sullivan has recently put forward a promising new version of Relative Essentialism, according to which the relevant parameter is an explanatory framework. We argue that despite its promise, Sullivan's version unfortunately (...) fails, due to the mismatch between the logic of essentiality and the logic of explanation. (shrink)

Bachs Kunst der Fuge biedt even die samenhang, die harmonie waarnaar wij hunkeren in ons leven.

Les humeurs sont à la mode: le corps passionnel est au centre de notre culture, avec ses besoins, ses plaisirs, son équilibre et son mal-être. L’émotion est à raconter, l’exercice doit faire suer, la vie sexuelle se publicise. Le corps médical est humeur à part entière : les tests sanguins précèdent le diagnostic holistique dans l’analyse de la maladie et donc dans la recherche de l’équilibre optimal et du bien-être. Nos humeurs sont devenues des impératifs moraux : les décharges émotionnelles (...) sont à exhiber avant de s’équilibrer. Nos discours signifient peu sans l’expression sincère des passions qui les informent. Nous sommes des corps-monades cherchant leur bien-être, protégés des pollutions et miasmes externes. Comment notre corps s’est-il ainsi transformé ? Comment l’intériorité est-elle devenue externe ? Et quel est le rapport entre le monde intérieur maintenant ouvert à l’analyse et l’état du corps dans son environnement social ? Cette transformation a sa propre histoire, qu’il convient de retracer. (shrink)

A collection of essays in which philosophers of widely different interests grapple with the problem of the relative and the absolute in philosophy and religion.

Natural fluctuations in sustained attention can lead to attentional failures in everyday tasks and even dangerous incidences. These fluctuations depend on personal factors, as well as task characteristics. So far, our understanding of sustained attention is partly due to the common usage of laboratory setups and tasks, and the complex interplay between behavior and brain activity. The focus of the current study was thus to test the feasibility of applying a single-channel wireless EEG to monitor patterns of sustained attention during (...) a set of ecological tasks. An EEG marker of attention (BEI—Brain Engagement Index) was continuously recorded from 42 healthy volunteers during auditory and visual tasks from the Test of Everyday Attention (TEA) and Trail Making Test (TMT). We found a descending pattern of both performance and BEI in the auditory tasks as task complexity increases, while the increase in performance and decrease in BEI on the visual task. In addition, patterns of BEI in the complex tasks were used to detect outliers and the optimal range of attention through exploratory models. The current study supports the feasibility of combined electrophysiological and neurocognitive investigation of sustained attention in ecological tasks yielding unique insights on patterns of sustained attention as a function of task modality and task complexity. (shrink)