"A collection of essays that addresses philosophical aspects of the films of Quentin Tarantino, focusing on topics in ethics, aesthetics, metaphysics, language, and cultural identity"--Provided by publisher.

This chapter contains sections titled: Playing the Blues Defining the Blues Wittgenstein to the Rescue Good Blues, Bad Blues, Walking Dead Blues Notes.

An assortment of different points of view on conspiracy thinking and conspiracy theories, pro and con.

One class of argument against cloning human beings in the contemporary literature focuses on the bad consequences that will befall the clone or “later-twin.” In this paper I consider whether this line of argumentation can be blocked by invoking Parfit’s non-identity problem. I canvass two general strategies for solving the non-identity problem: a consequentialist strategy and a non-consequentialist, rights based strategy. I argue that while each general strategy offers a plausible solution to the non-identity problem as applied to the cases (...) most frequently discussed in the non-identity problem literature, neither provides a reason for puttingaside the non-identity problem when applied to cloning. I conclude (roughly) that the non-identity problem does serve to block this class of argument against cloning. (shrink)

Philosophers explain and criticize many controversial aspects of the ambitious new TV show, His Dark Materials.

Mr. Robot has been hailed, not only as one of the most haunting and unnerving dramas ever to appear on television, but also as the first accurate popular presentation of how computer hacking and cyberterrorism actually work. This book is aimed at thoughtful fans of this addictive show who will welcome the opportunity to explore Elliot Alderson's world from a philosophical perspective.--Publisher's description.

Until now, no one has unlocked the profound secrets of this wise and witty adventure tale. If you've wondered why men of action shouldn't lie, how the Battle of Wits could have turned out differently, what a rotten miracle would look like and whether it would amount to malpractice, or how Westley could have killed a lot of innocent people and still be a good guy, then The Princess Bride and Philosophy has all the answers"--P. [4] of cover.

The first two seasons of Russian Doll ambitiously take on a number of topics in the Philosophy of Time. In particular, it addresses the metaphysics of time loops and time travel. The metaphysics of time are notoriously thorny and complicated, and Russian Doll provides a treatment of those issues that both does justice to their complexity as well as attempts to provide solutions to some of those issues (or at minimum, in some cases, hints at possible solutions). As is the (...) case with most enduring philosophical topics, the discussion does not happen in a philosophical vacuum. Just as a discussion of the nature of knowledge naturally leads to a discussion of the nature of truth, and so forth, discussions in the metaphysics of time naturally lead to discussions of the ethics of time travel, the nature of the universe, the nature of the reality, God, relativism, the nature of paradoxes, consciousness, and, perhaps most importantly, existential questions about how one should live. This chapter will provide a general account of the way these philosophical issues are presented in Russian Doll with an eye toward (1) explicating the ways in which the various characters in Russian Doll conceive of the issues, (2) making it clear what their responses to the issues are (in those instances in which responses are provided), and (3) where appropriate, evaluating those responses for philosophical consistency, accuracy, and plausibility. (shrink)

Part I : The metaphysics of spoilers. A brief history of spoilers -- What are spoilers? -- Things that can never be spoiled -- What else can be spoiled? -- Vagueness and spoilers -- Part II : The ethics of spoilers. Is it bad to spoil? -- The badness of spoiling -- When is it wrong to spoil? -- When you should spoil -- The timing of spoilers -- The ethics of spoiler alerts -- Part III: The pragmatics of spoilers. (...) Paradoxes of spoiling -- Spoiling remakes and some other tricky cases -- Are our reactions to spoilers justified? -- Culture, relativism, and spoilers -- What to do when you encounter someone who spoils. (shrink)

Looks at the philosophy behind some of the biggest names in pop culture, including movies, video games, music groups, and more.

An investigative team of philosophers uncovers the hidden meanings of this weird and puzzling television show.

The Princess Bride is the 1987 satirical adventure movie that had to wait for the Internet and DVDs to become the most quoted of all cult classics. The Princess Bride and Philosophy is for all those who have wondered about the true meaning of “Inconceivable!,” why the name “Roberts” uniquely inspires fear, and whether it’s truly a miracle to restore life to someone who is dead, but not necessarily completely dead. The Princess Bride is filled with people trying to persuade (...) each other of various things, and invites us to examine the best methods of persuasion. It’s filled with promises, some kept and some broken, and cries out for philosophical analysis of what makes a promise and why promises should be kept. It’s filled with beliefs which go beyond the evidence, and philosophy can help us to decide when such beliefs can be justified. It’s filled with political violence, both by and against the recognized government, and therefore raises all the issues of political philosophy. Westley, Buttercup, Prince Humperdinck, Inigo Montoya, the giant Fezzik, and the Sicilian Vizzini keep on re-appearing in these pages, as examples of philosophical ideas. Is it right for Montoya to kill the six-fingered man, even though there is no money in the revenge business? What’s the best way to deceive someone who knows you’re trying to deceive him? Are good manners a kind of moral virtue? Could the actions of the masked man in black truly be inconceivable even though real? What does ethics have to say about Miracle Max’s pricing policy? How many shades of meaning can be conveyed by “As You Wish”? (shrink)

"A collection of philosophical essays about the undead: beings such as vampires and zombies who are physically or mentally dead yet not at rest. Topics addressed include the metaphysics and ethics of undeath"--Provided by publisher.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.” -/- Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight. Punk rock was a celebration of nastiness, chaos, and defiance of convention, (...) which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or—perish the thought—Marxist? When all’s said and done, does punk simply suck? These obvious questions only scratch the surface of punk’s philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk’s essence, or perhaps they end up demonstrating that it has no essence. You decide. -/- Among the nail-biting questions addressed in this book: Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk? How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse? Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves? How close is the message of Jesus of Nazareth to the message of punk? Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism? In its rejection of the traditional aesthetic of order and complexity, did punk point the way to “aesthetic anarchy,” based on simplicity and chaos? By becoming commercially successful, did punk fail by its very success? Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life? (shrink)

A posse of philosophers chases after the most exciting philosophical ideas in Westworld.

From Machiavellian city officials to big-time mobsters, corrupt beat cops, and overzealous G-men, Boardwalk Empire is replete with philosophically compelling characters who find themselves in philosophically interesting situations. This book is directed at thoughtful fans of the show. Here, readers discover parallels between the events in Boardwalk Empire and contemporary political events. Twenty philosophers address issues in political philosophy, ethics, aesthetics, feminism, and metaphysics. Is Nucky Thomson a Machiavellian prince or a Nietzschean superman? Is Jimmy's resentment towards Nucky justified, given (...) that Jimmy would never have come into existence had his parents not met? What can be said about the ethics of lying in the seedy world of bootlegging? Agent Van Alden’s unique religious attitudes bring a warped sense of morality to the Boardwalk universe. One chapter brings to light the moral character of Van Alden’s God. Other chapters explores the roles that storytelling, deception, and gender play in the show. (shrink)