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  1.  60
    Beauty and its opposites.Ruth Lorand - 1994 - Journal of Aesthetics and Art Criticism 52 (4):399-406.
  2. Free and dependent beauty: A puzzling issue.Ruth Lorand - 1989 - British Journal of Aesthetics 29 (1):32-40.
  3.  45
    Only Imagine? Not Necessarily.Ruth Lorand - 2019 - British Journal of Aesthetics 59 (2):211-214.
    In her recent book, Only Imagine, Kathleen Stock promotes extreme intentionalism with respect to fictional content. She writes, ‘the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine’. There are at least three separate points here: the author’s intentions determine the fictional content; the fictional content is identical with the content of what the reader imagines; reading fiction necessarily entails imagining. The first two points are normative; they are (...)
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  4.  37
    Aesthetic Order: A Philosophy of Order, Beauty and Art.Ruth Lorand - 2000 - New York: Routledge.
    _Aesthetic Order_ challenges contemporary theories of aesthetics, offering the idea of beauty as quantitative yet different from the traditional discursive order. It will be of importance to all interested in aesthetic theory.
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  5. Aesthetic Order: A Philosophy of Order, Beauty and Art.Ruth Lorand - 2002 - Journal of Aesthetics and Art Criticism 60 (2):194-196.
     
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  6.  5
    Aesthetic Order: A Philosophy of Order, Beauty and Art.Ruth Lorand - 2000 - New York: Routledge.
    _Aesthetic Order_ challenges contemporary theories of aesthetics, offering the idea of beauty as quantitative yet different from the traditional discursive order. It will be of importance to all interested in aesthetic theory.
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  7. Bergson's concept of art.Ruth Lorand - 1999 - British Journal of Aesthetics 39 (4):400-415.
  8.  35
    Beauty-order without laws.Ruth Lorand - 1992 - Southern Journal of Philosophy 30 (1):43-63.
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  9.  75
    On ‘free and dependent beauty’–a rejoinder.Ruth Lorand - 1992 - British Journal of Aesthetics 32 (3):250-253.
  10.  80
    Telling a story or telling a world?Ruth Lorand - 2001 - British Journal of Aesthetics 41 (4):425-443.
  11.  3
    ʻAl parshanut ṿa-havanah.Ruth Lorand - 2010 - Tel-Aviv: Universiṭat Tel-Aviv.
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  12.  47
    Bergson's concept of order.Ruth Lorand - 1992 - Journal of the History of Philosophy 30 (4):579-595.
  13.  7
    Beauty—Order Without Laws.Ruth Lorand - 1992 - Southern Journal of Philosophy 30 (1):43-63.
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  14.  35
    Classifications and the Philosophical Understanding of Art.Ruth Lorand - 2002 - The Journal of Aesthetic Education 36 (3):78.
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  15. ha-Yofi bi-reʼi ha-filosofyah.Ruth Lorand - 2007 - Hefah: Hotsaʼat sefarim shel Universitat Hefah.
     
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  16.  64
    Interpretation and its Role in the Arts.Ruth Lorand - 2004 - Symposium 8 (3):647-665.
  17.  4
    Rudolf Arnheim, Film Essays and Criticism.Ruth Lorand - 1998 - Journal of Aesthetics and Art Criticism 56 (4):415-416.
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  18.  8
    Seder ṿe-i-seder ke-muśagim shel hakarah =.Ruth Lorand - 2016 - Yerushalayim: Karmel.
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  19. The logic of interpretation.Ruth Lorand - 2010 - In Peter K. Machamer & Gereon Wolters (eds.), Interpretation: Ways of Thinking About the Sciences and the Arts. University of Pittsburgh Press.
     
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  20.  64
    The purity of aesthetic value.Ruth Lorand - 1992 - Journal of Aesthetics and Art Criticism 50 (1):13-21.
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