Kant and Milton: fundamentals and foundations -- Kant's journey in the constellation of German Miltonism: toward the procedure of succession -- Kant's Miltonic transfer to exemplarity: the succession to Milton's "On his blindness" in the groundwork of the Metaphysics of morals -- Kantian tragic form and Kantian "storytelling" -- The Critique of practical reason and Samson agonistes -- Kant's Miltonic procedure of succession in a key moment of the Critique of judgment.

On one manuscript page of the Opus postumum Kant twice recurs to a passage from Paradise Lost that, seven years earlier, he had cited to exemplify aesthetic ideas and the concept of succession.1 Now he calls on these same verses to perform an additional function, namely, to represent the a priori idea of a community of reciprocity. For Kant, the “insertion” of this idea serves as an “actus of cognition” that can enable experience of the “subjectively actual”.2In the cited passage (...) from Paradise Lost, Raphael instructs Adam about the “reciprocal … Male and Female Light” of the “two great Sexes” that “animate the World”. On the Opus postumum page, Kant names Milton... (shrink)

A study of cultural tradition. Sanford Budick reveals an operative concept of Western cultures: according to this concept, the art of freely receiving and handing on cultural tradition and the act of achieving moral and aesthetic freedom in sublime representation are the same phenomenon.