Alexander Baumgarten

Table of Contents: Chapter 1: Wolff and the Refinement of the Mathematical Method / Chapter 2: Wolff’s Emendation of Ontology / Chapter 3: Soul, World, and God: Wolff’s Metaphysics / Chapter 4: Women and the Wolffian Philosophy / Chapter 5: The Abuse of Philosophy: Pietism and the Metaphysics of Freedom / Chapter 6: Reason beyond Proof: Debating the Use and Limits of the PSR / Chapter 7: The Paradoxes of Sensation/ Chapter 8: G. F. Meier on the Fate of the (...) Soul / Chapter 9: Moses Mendelssohn and the Ghost of Spinoza . (shrink)

In The Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting Kull makes a foray into the concept of Beauty. His target article is a welcome contribution not only for providing a biosemiotic notion of beauty but also as a trigger for further enquiry into the matter. Additionally, Kull delivers a new concept: Semiotic Fitting, shining new light on the Umwelt theory. My commentary embraces the challenge Kull presents. Offering an alternate view on beauty, as a matter, and product, (...) of cognition, I suggest reflecting on the philosophy of Alexander von Baumgarten, who coined the term “aesthetics”, offers rich insight that could extend and enrich the definition of beauty Kull presents. (shrink)

In this paper I propose to shed new light on the role of feeling in Kant’s psychology of moral motivation by focusing on the concept of an incentive (Triebfeder), a term he borrowed from one of his most important rationalist predecessors, Alexander Gottlieb Baumgarten. I argue that, similar to Baumgarten, Kant understands an incentive to refer to the ground of desire and that feelings function as a specific kind of ground within Kant’s psychology of moral action, namely as the ‘impelling (...) cause’ of desire. I claim that this interpretation has several advantages over the alternatives currently on offer in the literature. (shrink)

In § 37 of his "Elements of First Practical Philosophy", Baumgarten provides important qualifications to the controversial notion of ‘objective morality’, which had long been at the centre of the dispute between realists like Wolff and his adversaries. The chapter shall examine how he construes his view of morality in §§ 36-38 with a specific focus on the central § 37. I shall analyse that section, first considering how Baumgarten understands the key notion of ‘objective morality’ and how he argues (...) for it, focusing both on its relational character and its connection with God’s will. Then I will examine the last, and arguably most surprising of the implications that he draws per negativum from the main claim, namely that affirming objective morality does not amount to rule out what Baumgarten calls ‘subjective morality’. Finally, I will briefly consider how Baumgarten’s distinctive way to take side in the Wolffian camp in that dispute reflects, through the close dialogue with the "Elements" in Kant’s private notes and lectures, on the development of Kant’s own views in practical philosophy. (shrink)

This article offers an account of Kant's conception of the duty of self-love, a rarely researched subject, by investigating how he appropriated Alexander Gottlieb Baumgarten's prior conception. I argue that exploring this appropriation helps us to gain new insights into Kant's conception of duty, a leading thread in Kant's ethics. Substantiating this argument, I derive the following conclusions. First, Kant peculiarly affirms a duty to rational self-love of delight. To be more precise, human beings ought rationally to love themselves in (...) such a way that they are content with—or have a positive feeling about—themselves in acting on maxims that they are pleased to see submitted to the moral law. Further, rational self-love of delight results from declining pathological forms of self-love. Second, Kant retains, to a meaningful extent, Baumgarten's conception of the duty to self-love where feeling and rationality achieve their distinct elevation. (shrink)

I argue that by considering Kant’s engagement with previous theorists of natural right, we can gain a clearer understanding of how he transformed the discipline from its foundations. To do this, I focus my analysis on Kant’s (critical) reception of two models of natural right with which he was very familiar: one from Alexander Baumgarten’s Elements of First Practical Philosophy [Initia philosophiae practicae primae], the other from Gottfried Achenwall’s Natural Law [Ius naturae]. The Initia served as a basis for Kant’s (...) lectures on moral philosophy for over three decades and may thus be considered as having played an important role in shaping his practical philosophy as a whole. Achenwall’s Ius naturae was the textbook that Kant employed in his lectures on natural right for over two decades. I argue that Kant distances himself from previous models of natural right in three main regards: the identification of moral laws with laws of nature, the normative connection between the principles of right and a natural end, and the place of God as the author of moral laws. I then briefly discuss what Kant retains of Baumgarten’s and Achenwall’s models of natural right. Kant’s Metaphysics of Morals preserves the view that a rational doctrine of right belongs to a broader systematic doctrine that comprehends the entire system of duties. I address the question of the division of the Sittenlehre into two branches and claim that, whereas Kant did not consider Baumgarten’s answer to the problem of distinguishing juridical from ethical principles to be satisfactory, he found a key piece of his own resolution in Achenwall’s Ius naturae, namely the definition of right as a power to coerce. (shrink)

This volume is dedicated to questions about the nature and method of metaphysics in Classical German Philosophy. Its chapters offer original investigations into the metaphysical projects of many of the major figures in German philosophy between Wolff and Hegel. The period of Classical German Philosophy was an extraordinarily rich one in the history of philosophy, especially for metaphysics. It includes some of the highest achievements of early modern rationalism, Kant's critical revolution, and the various significant works of German Idealism that (...) followed in Kant's wake. The contributions to this volume critically examine certain common themes among metaphysical projects across this period, for example, the demand that metaphysics amount to a science, that it be presented in the form of a system, or that it should proceed by means of demonstration from certain key first principles. This volume also includes material on influential criticisms of metaphysical projects of this kind. Metaphysics as a Science in Classical German Philosophy is a useful resource for contemporary metaphysicians and historians of philosophy interested in engaging with the history of the methodology and epistemology of metaphysics. (shrink)

Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann (...) Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts. (shrink)

In The Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting Kull makes a foray into the concept of Beauty. His target article is a welcome contribution not only for providing a biosemiotic notion of beauty but also as a trigger for further enquiry into the matter. Additionally, Kull delivers a new concept: Semiotic Fitting, shining new light on the Umwelt theory. My commentary embraces the challenge Kull presents. Offering an alternate view on beauty, as a matter, and product, (...) of cognition, I suggest reflecting on the philosophy of Alexander von Baumgarten, who coined the term “aesthetics”, offers rich insight that could extend and enrich the definition of beauty Kull presents. (shrink)

The problem at the center of this essay is how one can reconcile the continuity of space with a monadological theory of matter, according to which matter is ultimately composed of simple elements, a problem that greatly exercised Leibniz, the Wolffians, and Kant. The underlying purpose of this essay is to illustrate my reading of Kant’s philosophical development, and of his relation to the Wolffians and Leibniz, according to which, (a), this development was fueled by ‘home-grown’ problems that arose within (...) the framework of the Wolffian philosophy from which Kant started out, and, (b), on his journey to critical idealism, Kant gradually moved away from Wolffianism, but closer to Leibniz, which, however, he came to realize only some years after the publication of the Critique of Pure Reason. This reading is illustrated by showing that the problem of how to reconcile the continuity of space with a monadological theory of matter is a problem that Kant inherits from Leibniz and the Wolffians, in whose thinking it already plays an important role, that Leibniz’s mature solution to the problem differs markedly from the Wolffian solution, and that Kant’s early, pre-critical solution is largely Wolffian, while his later critical solution is largely Leibnizian, as he himself notes with gleeful satisfaction. The discussion also reveals that this problem is one of the key problems that fueled Kant’s philosophical development and, eventually, led him to the discovery of transcendental idealism. (shrink)

The ecologically oriented aesthetics of nature envisaged in my article makes use of an understanding of aesthetics as a general theory of sensual perception as it was first expounded in the 18th century by Alexander Gottlieb Baumgarten. It is not concerned primarily with the question of the beauty of nature and its experience by man, but rather and foremost with the “corporal and sensual experience of a person who is situated, lives, works and moves in a particular bit of nature” (...) (Böhme 1989). Within such a concept of aesthetics of nature, corporeality, which is primarily conceived in the context of the New Phenomenology, is of decisive importance, because it embeds man, together with all his multifarious ways of perception and sense experiences, in the natural world. With these ways of embedding as a starting point, a perspective of the sensual relationship with natural environment can be developed. The focus is thus not on how we perceive individual natural objects surrounding us, but on how we affectively experience the atmosphere of nature which integrates human conditions and environmental qualities. (shrink)

The consensus is that in his 1755 Nova Dilucidatio, Kant endorsed broadly Leibnizian compatibilism, then switched to a strongly incompatibilist position in the early 1760s. I argue for an alternative, incompatibilist reading of the Nova Dilucidatio. On this reading, actions are partly grounded in indeterministic acts of volition, and partly in prior conative or cognitive motivations. Actions resulting from volitions are determined by volitions, but volitions themselves are not fully determined. This move, which was standard in medieval treatments of free (...) choice, explains why Kant is so critical of Crusius’s version of libertarian freedom: Kant understands Crusius as making actions entirely random. In defense of this reading, I offer a new analysis of the version of the principle of sufficient reason that appears in the Nova Dilucidatio. This principle can be read as merely guaranteeing grounds for the existence of things or substances, rather than efficient causes for states and events. As such, the principle need not exclude libertarian freedom. Along the way, I seek to illuminate obscure aspects of Kant’s 1755 views on moral psychology, action theory, and the threat of theological determinism. (shrink)

"Recent years have seen a growing interest among scholars of 18th-century German philosophy in the period between Wolff and Kant. This book challenges traditional interpretations of this period that focus largely on post-Leibnizian rationalism and, accordingly, on a depreciation of the contribution of the senses to knowledge about the world and the self. It addresses the divergent ways in which eighteenth-century German philosophers reconceived the notion and role of experience in their efforts to identify, defend, and contest the contribution of (...) foundational a priori principles and empirical data to the various branches of metaphysics, the natural sciences, and emerging disciplines such as psychology and aesthetics. The chapters are organized according to the four major schools that defined the various phases of German Enlightenment philosophy: Wolff and Wolffianism, Eclecticism and Populärphilosophie, the Berlin Academy, and Kant. Each chapter is devoted to one or more philosophers, several of whom are seriously under investigated or even unknown outside small circles of specialists. By framing the period in terms of the notion of experience, this book presents a more nuanced understanding of the German reception of British and French ideas and theories, dismisses the prevailing view that German philosophy was largely isolated from European debates, introduces a number of relatively unknown, but highly relevant philosophers and developments to non-specialized scholars, and contributes to a better understanding of the richness and complexity of the German Enlightenment"--. (shrink)

Kant rejects the ontological argument on the grounds that the ontological argument inescapably must assume that existence is a “determination” or “real predicate,” which it is not. Most understand Kant’s argument for this claim to be premised upon his distinctive proto-Fregean theory of existence. But this leaves Kant dialectically vulnerable: the defender of the ontological argument can easily reject this as question-begging. I show that Kant relies upon two distinct arguments, both of which contend that the claim that existence is (...) a determination is inconsistent with bedrock ontological set pieces assumed by rationalist defenders of the ontological argument. (shrink)

Thorough comparison of Immanuel Kant’s and Christian Wolff’s divergent appraisals of the science of psychology reveals various ways in which Kant fundamentally altered the Wolffian philosophical apparatus that he inherited. Wolff conceived of a thoroughgoing interplay between empirical and rational psychology, of combining different sorts of cognition in psychology, and of a mathematical science of the soul, or psychometrics. Kant however rejected each of these particular theses and deemed psychology to be no natural science, “properly so-called.” This chapter details these (...) departures from Wolff, explains their basis, and concretizes an underlying contrast in Kant’s and Wolff’s respective philosophical approaches. Namely, whereas Wolff’s philosophical system is malleable, allowing for the combination of various kinds of cognition and methods, in Kant’s Critical philosophy, everything has its proper, preordained niche. At bottom, it is the unyielding rigor of Kant’s system that results in his pessimistic evaluation of the prospects for psychology. (shrink)

Fürwahrhalten, or “holding-to-be-true”, is one of the most controversial concepts in Kant’s epistemology. Rarely mentioned in Kant’s edited works – where it is often used to describe moral faith – Fürwahrhalten has attracted the interest of Kant scholars only in recent years. The essay aims to shed light on some of the main issues that the notion of holding-to-be-true still rises, especially those concerning its origin and its theoretical function in the critical system. The book retraces the stages of Kant’s (...) reflection on this theme, starting from the precritical discussion with the main representatives of the German Enlightenment (Wolff, Knutzen, Baumgarten, Meier, and Crusius) to the definitive formulation of Fürwahrhalten after the publication of the Critique of Pure Reason. The analysis of Kant’s logical corpus has shown that, far from being a marginal concept of critical epistemology, Fürwahrhalten is the core of a systematic theory of certainty, that Kant develops in accordance with his doctrine of modality. This theory represents the arrival point of a long and troubled reflection, that led Kant to deeply rethink most of the traditional themes of eighteenth-century logic. (shrink)

I maintain that substantive metaphysics makes an ineliminable contribution to our mind’s cognitive relation to objects. To account for the precise nature of this metaphysical contribution, I investigate domains of thought in which our cognitive relation to objects appears problematic. In perception, an experience’s metaphysical dependence upon objects and their essences ground its content and, in part, epistemic worth. Regarding metaphysical modality, viewing modality and actuality as equally fundamental is pivotal to understanding our modal knowledge and thought. Relating to the (...) ontological argument, and necessary existents generally, understanding ontological statuses as differences in the way an object’s properties are grounded contributes to explaining our thoughts’ relation to objects. Systematic and historical research are integrated in developing these philosophical views, drawing on Descartes, Baumgarten, and Kant in particular. (shrink)

The study of aesthetics concerns the arts broadly conceived, as well as the nature of aesthetic experience, which includes our responses to beauty, sublimity, ugliness, and other such qualities found in works of art, nature, the built-environment and in the course of everyday life. Although the term "aesthetics" to denote this area of study goes back only to the eighteenth century with the work of Alexander Baumgarten, the field has had a long and distinguished history dating back to classical antiquity. (...) Aesthetics is currently the scene of provocative philosophical exploration, and one which has become increasingly connected to work in disciplines outside of philosophy such as art history, psychology, neuroscience, evolutionary biology, gender studies, and critical race theory. (shrink)

The idea that virtue can be profitably conceived as a certain sort of skill has a long history. My aim is to examine a neglected episode in this history — one that focuses on the pivotal role that Moses Mendelssohn played in rehabilitating the skill model of virtue for the German rationalist tradition, and Immanuel Kant’s subsequent, yet significantly qualified, endorsement of the idea. Mendelssohn celebrates a certain automatism in the execution of skill, and takes this feature to be instrumental (...) in meeting an objection against perfectionist, agent-based ethics: namely, that a virtuous person would seem to act for the sake of realising his own perfection in everything that he does, thereby taking a morally inappropriate interest in his own character. Kant rejects the automatism featured in Mendelssohn’s account, on grounds that it would make virtue mindless and unreflective. But he does not reject the skill model of virtue wholesale. Rather, he calls for considering how reflection can be embedded in the expression of certain kinds of skill, enabling him to endorse, and arguably adopt, the model on his own terms. (shrink)

Although pregnancy as a semantic and perceptual density is a central notion of aesthetics, scholarship has not yet conducted a genealogical inquiry into its early-modern roots. It is the aim of this investigation to make a contribu-tion in this direction. My thesis is, that the idea of aesthetic pregnancy emerges in Alexander G. Baumgarten’s philoso-phy as the outcome of the convergence between Leibnizian assumptions and a series of hermeneutical categories, which have hitherto been overlooked. After analyzing the role of pregnancy (...) in Lutheran hermeneutics, I examine its reception in Baumgarten’s phi-losophy, in the attempt to enhance the relationships with the earlier tradition. By reconfiguring the semantic density with the instruments of empirical psy-chology, I argue, Baumgarten is able to shift pregnancy from the hermeneutical domain of sense to the metaphysical domain of sensibility, thus paving the way for its fortune in future aesthetics. (shrink)

In both his published works and lecture notes Kant distinguishes between Transcendental and Natural Theology, associating the former with Deism and the latter with Theism. The purpose of this paper is to explore these distinctions, particularly as they are shaped by Kant’s engagement with Baumgarten’s Philosophical Theology.

This paper draws on Alexander Baumgarten, the founder of modern aesthetics (1714- 1762), to tackle two fundamental questions: What is an image or representation “of violence”? And what makes an image violent, in the sense that it can provoke acts of political violence? In the mediatized environment we inhabit, I argue, our perception has become damaged by generalized logics of image-exchange and -sharing, so that we have become immunized against perceiving concrete particularity. Baumgarten’s notion of clear and “con-fused” or “fused” (...) (“verworren”) representations describes well how certain images – “violent” images – can break through these mediatized logics and capture the concrete particular in its qualitative singularity. The complexity and plurivocity of such images defeat our cognitive capacity to determine truth/untruth univocally, provoking a fear of ambiguity, which is one of the small beginnings of violent political acts and events. (shrink)

No centro da filosofia moral de Kant está sem dúvida sua doutrina do imperativo categórico. Por esse motivo não é de se surpreender que a Fundamentação da Metafísica dos Costumes (1785), na qual Kant explica, em detalhes, essa doutrina pela primeira vez, tenha sido o foco da atenção por décadas. Mas há alguns anos é observável uma significativa mudança na literatura que é univocamente bem vinda: ao lado da pesquisa das Doutrinas da Virtude e do Direito publicadas por Kant nos (...) anos noventa do século 18, agora também são intensamente estudadas suas perspectivas filosófico-morais desenvolvidas antes de 1781. Nesse sentido assume uma posição de destaque o manuscrito estudantil de uma lição de ética ministrada no meio dos anos 70, que é publicada aqui, em língua portuguesa, pela primeira vez em uma tradução comentada. Ainda hoje, esta lição serve como uma introdução à ética de Kant, muito embora pareça divergir, em alguns aspectos, da doutrina crítica do imperativo categórico. As Lições de Ética são um „trabalho em andamento“. Por um lado, somos capazes de assistir Kant "pensando" e compreender como ele se reporta ao livro de Alexander Baumgarten sobre os Príncípios da Metafísica Prática (Initia philosophiae practicae primae, 1760). E, por outro lado, somos capazes de vivenciar como ele desenvolve suas próprias perspectivas filosófico-morais em contraste a Baumgarten. Para todos que se interessam pela filosofia moral de Kant e pela história da ética na época da Aufklärung, o estudo desse manuscrito é indispensável. -/- Heiner F. Klemme (Martin Luther Universität - Halle-Wittenberg) . (shrink)

In this paper, I consider Baumgarten’s views on the soul in the context of the Pietist critique of Wolff’s rational psychology. My primary aim is to account for the largely unacknowledged differences between Wolff’s and Baumgarten’s rational psychology, though I also hope to show that, in some cases, the Pietists were rather more perceptive in their reading of Wolff than they are typically given credit for as their criticisms frequently succeed in drawing attention to significant omissions in Wolff’s discussion.

Meier’s Gedancken von dem Zustande der Seele nach dem Tode (Gedancken) deserves a prominent place among treatments of the immortality of the soul in 18th century German philosophy, both within and without the Wolffian tradition of rational psychology. It does not wilt next to Mendelssohn’s Phädon in its quality of expression, and might even be compared with Kant’s discussion in the Paralogisms chapter of his Kritik der reinen Vernunft in terms of the boldness of its argument and its philosophical rigour. (...) The Gedancken contributed greatly to Meier’s growing reputation as an original thinker and helped him emerge from the shadow of his famous colleague in the philosophy faculty at the Friedrichs-Universität in Halle, Christian Wolff; moreover, it provoked detailed responses on the part of its critics and even made Meier himself the subject of official investigation as an accused aider and abettor of freethinkers. Meier’s Gedancken thus stands as a work of central importance within his own philosophical corpus and in the history of 18th century German rational psychology more generally. Accordingly, in this Introductory Essay, I will present the context and argument, as well as the reception, of the Gedancken, and then consider Meier’s subsequent defense of his controversial text. (shrink)

This volume explores the metaphysics of Alexander Gottlieb Baumgarten and its decisive influence on Immanuel Kant. Eleven specially written essays by leading scholars of German philosophy will boost further the growth of interest in Baumgarten as a key figure in the history of European thought.

The term ‘the intermediate world’ is a key concept in Den skønne tænkning and the metaphysics of experience presented by this book. The metaphysics of experience is about the experiences of transcendence and beautiful thinking that take place in the intermediate world. In the article “The Intermediate World,” this subject is introduced through a discussion of thoughts and concepts formulated by Paul Klee, Alexander Gottlieb Baumgarten, Aristotle, Immanuel Kant, Mark C. Taylor, and Eugenio Trías. The text depicts the intermediate world (...) as the level of experience at which the understanding does not yet distinguish between subject and object. The intermediate world is thus not a realm between human and world, nor is it something outside the world we know. The intermediate world is rather the present world in its most original state: the ‘place’ where we find the source of all experience and cognition, a source called ‘basic experience’ characterized by sensation, faith, and comprehension. In this realm, imagination is active and takes the form of an objective force rather than a subjective mental power. Imagination opens mind and world, thus allowing not-yetactualized possibilities to become perceivable. (shrink)

Alexander Gottlieb Baumgarten’s ethics had a significant influence on the formation of Kant’s ethics. The extent of this influence, however, has not been sufficiently investigated by existing Kant scholarship. Filling this gap, this paper aims to reveal Baumgarten’s substantial influence on the formation of Kant’s ethics, particularly the complex ways in which Kant’s ethics retains the concept of God as crucial for ensuring that his ethics persist under the scrutiny of reason. In a systematic comparison of the ethics of the (...) two philosophers, I argue that Kant alters and yet accommodates several aspects of Baumgarten’s ethics in his own version of the system of ethics more thoroughly than has previously been perceived. More specifically, I argue, first, that Kant’s rejection of Baumgarten’s conception of “duties towards God” and his alternative notion that duties are recognized as if they were divine commands unveil his criticism of Baumgarten’s conception of how religion is situated in ethics. Second, I argue that Kant’s argument for the extension of pure reason for practical purposes discloses his critical response to Baumgarten’s optimistic assumption about the entirety of pure reason. (shrink)

Die Untersuchung analysiert deswegen nach einem einleitenden Vorschlag zur Bestimmung des Verhältnisses von Logik und Metaphysik im Anschluss an Leibniz Baumgartens Erkenntnistheorie in ihrer charakteristischen Komplementarität von Ästhetik und Logik, die das gesamte Feld aller möglichen Gewissheit, d. h. des Bewusstseins der Wahrheit der verschiedensten Erkenntnisse, abdecken. Darüber hinaus erörtert sie auch deren mögliche Gegenstände, nämlich die Beschaffenheit der Dinge, wie sie das Wissen Gottes als eine ideale Metaphysik enthielte. Auf der Grundlage einer Ontologie teilweise unbestimmer aktualer Existenz kommt Baumgarten (...) zu einer kosmologischen Theorie monadischer Bewegtheit aller körperlichen Dinge. Sie führt zu einer Psychologie des Erkennens und Handelns, aus der ein indeterministischer Begriff menschlicher Willensfreiheit folgt, die auch von Gottes Allwissen nicht beschränkt wird. (shrink)

The chapter provides a brief survey of the moral views of some of the main writers advocating rationalist conceptions in philosophical ethics in Eighteenth-Century Britain and Germany, prior to Reid and Kant: Samuel Clarke, William Wollaston, John Balguy, Richard Price, Christian Wolff (along with his adversary Christian August Crusius), Alexander Gottlieb Baumgarten.

Name der Zeitschrift: Kant-Studien Jahrgang: 108 Heft: 1 Seiten: 152-155.

Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory – the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. (...) This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement. (shrink)

This article considers the reasons Kant rejects the possibility of a science of aesthetics throughout his career. It begins by surveying the background of Kant’s denial, focusing first on the introduction of aesthetics as a new science in the works of Alexander Baumgarten and Georg Friedrich Meier. After showing that there are numerous ambiguities in the way Baumgarten and Meier present their new science, the article considers Kant’s account of the differences between aesthetics and logic in the transcripts of his (...) Lectures on Logic. Because Kant uses the differences between aesthetics and logic to explain why logic is and aesthetics is not a science, these discussions provide a great deal of insight into his conception of science as well as his views on aesthetics. Finally, the article addresses the reasons Kant continues to insist that aesthetics is not a science but “a mere critique of taste” after he announces his discovery of the a priori principles of aesthetic judgment. (shrink)

The chapter shows how Kant’s ethical thought as reflected in the lectures, responds to Baumgarten’s works on moral philosophy. I argue that Kant chose Baumgarten’s textbooks for his classes for genuinely philosophical reasons. The thorough discussion of Baumgarten’s views provided Kant with important clues for developing an original position, even if mostly in opposition to Baumgarten. I illustrate this complex role of Baumgarten with a few significant examples, that also highlight some original aspects of Baumgarten’s position in comparison to Wolff’s: (...) (1) Kant follows Baumgarten’s in focusing on obligation as the crucial issue in moral philosophy, but Kant regards Baumgarten’s account as not satisfying. (2) Baumgarten’s sharply theistic foundation of morality is rejected by Kant. (3) Kant rejects also several significant aspects of Baumgarten’s division of ethical duties, thereby revealing profound differences in their conceptions of morality. (shrink)

A clear and concise account of the relationship between aesthetics and philosophy in Europe during the seventeenth and eighteenth centuries and the development of aesthetics as a discipline in its own right.

This article considers three objections Immanuel Kant raises against Alexander Baumgarten’s plan for a science of aesthetics at different points in his career. Although Kant’s objections appear to be contradictory, this article argues that the contradiction is the result of an anachronism in the composition of Kant’s Logic. When the contradiction is resolved, it becomes apparent that Kant’s main reason for rejecting Baumgarten’s aesthetics during the pre-critical period—the lack of a priori principles for a critique of taste—loses its force after (...) Kant develops a kind of critique that yields a priori principles and then discovers a priori principles of aesthetic judgment. Instead of withdrawing his objections, Kant finds different reasons to deny that aesthetics can be a science, based on the distinction between determining and reflective judgments. (shrink)