In an era before the invention of photography, fine art prints based on famous paintings dominated the eighteenth-century art market, inviting a common comparison between engravers and translators. At a time when writers and scholars placed much value on the closeness of translations to their original texts, such comparisons reflected a subordination of the skills of technical engravers to the assumed genius of painters. However, careful examination of the copy-prints reveals that loyalty to originals was not the primary interest of (...) these visual translators. Instead, these translators saw themselves as active mediators. This essay reconsiders acts of eighteenth-century visual translation to reframe the practice of engraving during the period and to establish a new understanding of the movement from one visual artistic language to another. The case study of Nicolas de Launay, one the most successful engravers in eighteenth-century France, is selected for scrutiny and contextualized within historical debates around translation. The final aim is to illuminate important tensions between the disciplines of painting and engraving, as well as the complex process by which engravers strove to remain simultaneously loyal to the painters, to their audience, and to their own artistic identity. (shrink)

This essay interweaves pedagogy, reflection, and critical synthesis to evaluate an assignment employed in the upper-division seminar, “Race and Gender in the Eighteenth Century”: The Meme Museum. The Meme Museum harnesses social media reaction with the goal of orienting students’ responses and readings to eighteenth-century literature. The Meme Museum also ineluctably reproduces “digital blackface” in that students, who attend a Predominately White Institution, rely on Black celebrities and athletes to express their reactive emotions and affects towards the assigned readings. This (...) essay offers the term “reactive blackness” as a communicative media language and affective comportment that emerges directly from an eighteenth-century archive and admits the intersections of race and gender into its fold. Reactive blackness exploits blackened emotionality and reifies the Black experience as an icon of expressivity. The essay thus interrogates artifacts from the student-generated Meme Museum to consider the transhistorical analyses that such an assignment might avail in the anti-racist teaching of race and gender in the eighteenth century. (shrink)

Elizabeth Griffith’s play A Wife in the Right (1772) features a nabob character, a British man returned from India after having made his fortune through imperial pursuits. This article explores Griffith’s use of the nabob and how the theme of national identity is linked to a discourse around the potential gap between external appearance and internal character in this drama. This article aims to contribute to the growing scholarship surrounding female dramatists in the long eighteenth century by providing an initial (...) step in close reading this drama by Griffith in the context of philosophy and medical writing of the period. Applying, more specifically, Adam Smith’s philosophical and George Cheyne’s medical writing to a close reading of A Wife in the Right, this article reads Griffith’s nabob character and her commentary on national identity as part of a broader social performance of self in this period. (shrink)

This essay employs strategies drawn from the emergent field of everyday aesthetics to explore the pleasures of reading Daniel Defoe’s Robinson Crusoe and Samuel Richardson’s Sir Charles Grandison. As a fictional paradigm, Crusoe has been a paradoxical inspiration, inviting critique as a seductive representative of colonial power, on the one hand, and eliciting admiration for his ability to provoke meaningful artistic and intellectual engagement from a diverse group of writers and thinkers, on the other hand. To many ordinary readers, he (...) has proved company worth keeping as a source of inspiration and personal pleasure primarily through his aesthetic approach to the structuring of everyday life. The fiction of Samuel Richardson continues the focus on the everyday, placing even greater emphasis on the relationship between the ethical and the aesthetic. In his final novel, Sir Charles Grandison, pleasure can scarce be felt without some commentary outlining the contours of moral significance, and the very act of moral reasoning is demonstrably affective for characters and readers alike. The essay ends with consideration of the power of literature, especially the realistic novel, to shape the ordinary lives of everyday readers. (shrink)

This paper considers masculinity in two twentieth-century historical novels set in the eighteenth century: Andrew Miller’s Ingenious Pain (1997) and Hilary Mantel’s The Giant, O’Brien (1998). It argues that both novels create protagonists who embody masculine-coded attributes, including resistance to pain and bodily size and strength, and that, in both novels, earning potential is concomitant with such attributes. Complicating matters, however, the very exaggeration of stereotypical masculine characteristics in these texts causes each man to seem something other and less than (...) a man—ranging for both, at different times, from monstrous to pathetically weak (and childlike, or even womanish) victim. Qualities associated with manhood, therefore, paradoxically deny the men more agency than they allow in these stories set in the eighteenth century, inhibiting them from enjoying ideal manhood and making them the property of other men. (shrink)

The activities of foreign diplomats in England helped push and create the boundaries of diplomatic privilege in the eighteenth century. One specific issue—the extent to which foreign ministers could shield people from being arrested for debt—led to a sizeable body of case law that defined the limits of the immunity of servants of diplomats. The British government frequently allowed ambassadors to assert privileges even in instances when they were not merited. Diplomatic honour and preservation of good relations were of paramount (...) importance. In addition to the significance to international legal history, the activities of these diplomats and the identity of those whom they sought to protect contribute to the current literature about the complex roles of ambassadors in the eighteenth century. This article addresses the 1708 statute on diplomatic privileges, the vexing question of debt in the eighteenth century, the role of diplomats, the changing case law, and, finally, the means by which matters involving diplomatic privilege avoided the courts altogether. (shrink)

Le texte latin Disputatio nova contra Mulieres, Qua probatur eas Homines non esse de la fin du xvie siècle, a connu un grand succès après sa première publication. Aujourd’hui, ce livre, dont le titre soulève des doutes sur l’humanité des femmes, s’inscrit dans le cadre de la querelle des femmes. Il en existe deux traductions françaises : la première d’Anne-Gabriel Meusnier de Querlon réalisée en 1744, la seconde de Charles Clapiès publiée, en 1766. Les deux textes reflètent parfaitement le débat (...) entre la traduction libre et la traduction littérale à l’époque des Lumières. Il est intéressant de les comparer, de voir lequel est une traduction fidèle et lequel n’est qu’une transposition. (shrink)

Quand, en 1747, Diderot et d’Alembert reprennent la direction de l’Encyclopédie, ils héritent d’un projet conçu au départ comme une traduction de la Cyclopaedia d’Ephraïm Chambers. Celle-ci ayant laissé son empreinte sur ce qui sera présenté par la suite comme un ouvrage original, les éditeurs seront souvent amenés à revenir sur leur relation au modèle anglais. Dans les polémiques autour de la publication des premiers volumes, les emprunts à Chambers, entre autres, ont été relevés par les défenseurs de la religion, (...) qui accusaient les encyclopédistes à la fois de plagiat et d’impiété. À partir de ces remarques, cet article propose de considérer la contribution de l’abbé Mallet, l’un des premiers collaborateurs recrutés par Diderot et d’Alembert, et auteur de plusieurs centaines d’articles de l’Encyclopédie. Définir ce qui y relève de l’emprunt ou de l’invention révèle des erreurs majeures dans l’histoire de la réception de cet ouvrage, ce qui nécessite une réévaluation de son théologien principal. (shrink)

The pulse-taking scene in Laurence Sterne’s 1768 Sentimental Journey Through France and Italy is representative of the fiction. The episode, in which Yorick palpates the wrist of a Parisian grisette or shopgirl, engages with both literal and figurative matters of the heart. Scholars have long speculated about what Sterne may have meant when he described Sentimental Journey as a “work of redemption.” None has connected Yorick’s discourse of sensibility to a contemporary Catholic controversy of which, circumstantial evidence suggests, Sterne may (...) have been aware. This controversy could well have informed the Anglican Sterne’s equivocal rapprochement with Catholic practice. In 1765, Pope Clement XIII approved some measure of devotion to the Sacred Heart of Jesus. He thus gave credence to the visions of the nun Marguerite-Marie Alacoque, which occurred between 1673 and 1675. After the second Jacobite uprising, in the late 1740s, the young Sterne had joined with his rabidly anti-Papist uncle Jacques to prosecute the nuns of Micklegate Bar outside York, who occupied one of only two convents left in England. In Sentimental Journey, which develops its own tragicomic theory of the Sacred Heart, Sterne may make eccentric amends for his former zealotry. (shrink)

Text visualization is the technique of using graphs and charts to examine text as data. Often, these do not represent a text directly and instead display an output based on word counts, word sequences, and so on. This technique can provide insights into important keywords in a text, provide an overview of textual content, or reveal trends and patterns within one text or across many texts. This paper describes recent development of and experiments with several tools for the Grub Street (...) Project to generate visualizations of eighteenth-century texts, especially in terms of the spatial relationships of words and entities on the pages of the original documents. Two examples are discussed in this article as test cases: Edward Ward’s The London Spy Compleat, in Eighteen Parts (1703) and Alexander Pope’s The Dunciad. With Notes Variorum (1729). (shrink)

Cet article étudie la réinterprétation et l’appropriation de l’exotisme dans les traductions-adaptations des voyages imaginaires du xviiie siècle, tout particulièrement celles de Desfontaines (Les Voyages du capitaine Lemuel Gulliver), de Berault-Bercastel (Voyages récréatifs du chevalier de Quevedo) et de Louis de Mailly (Les Trois Princes de Sarendip). Les traducteurs ont comme objectif d’adapter l’oeuvre au « goût de la France » : ils sont aux prises avec un double exotisme, celui décrit dans le voyage et celui intrinsèque à l’oeuvre. Leur (...) travail d’adaptation repose sur la recherche des équivalences culturelles, sur la suppression des passages subversifs et sur la conservation d’une représentation convenue de l’ailleurs et du merveilleux. Certains traducteurs vont jusqu’à réécrire une grande partie de ces ouvrages afin que le genre littéraire corresponde à celui du voyage. (shrink)

As the Brabant Revolution of 1789 came ever closer, the idea of national unity slowly took hold in the Southern Netherlands, that is, present-day Belgium. The current study looks at how this national consciousness arose in the years preceding the Brabant Revolution. Through an analysis of two literary journals, Den Vlaemschen Indicateur (1779–87) and the Journal des Pays-Bas autrichiens (1786), this essay identifies and examines how national belonging was imagined and articulated through fiction, either through poems, anecdotes, or imaginary letters. (...) Taken together, these case studies illustrate the importance of literary journals in the Southern Netherlands as they fostered a period of nation-building, which was cultural rather than political. By reconstructing the social and biographical trajectories of the editors of these journals, this study brings clarity to the history of proto-Belgian journalism as it emerged during the second half of the eighteenth century. (shrink)