This article explores the possibility of a phenomenological method in the field of philosophy of science. It reconstructs the idea of scienticity, which is significant both for philosophy as a science and for philosophy's relationship to nonphilosophical sciences. The concepts of intentionality, eidetic objectness, and absolute evidence are discussed as conditions for the possibility of philosophy as a rigorous science. The concepts of constituting, objectivation, and regional ontology are examined in the context of the possibility of founding of sciences with (...) a dogmatic standpoint in philosophy. It is suggested that the phenomenological program of philosophy of science remains current, though it also continues a tradition of thinking about science that stretches back to Plato. Phenomenological philosophy of science is a clarification of the meaning of scienticity, the very principles of a scientific relationship to the world. (shrink)

In my paper, I give an analytical commentary on Vasily Sesemann’s review of Martin Heidegger's treatise Being and Time (1927) published in the journal entitled The Way in 1928. The aim of this commentary is to evaluate the adequacy of Sesemann’s perception of Heidegger’s thought and the acceptability of his review for today’s reception of the Heideggerian ontological project. In my text, I state that Sesemann accurately fixes the transcendent essence of Heidegger’s ontological investigation, its basic theme and the main (...) stages of its explication. In this regard, the Sesemann’s evaluation of the project of fundamental ontology in Heidegger is much closer to the very idea of this project in comparison to the evaluations of it given by both Edmund Husserl and Nicolai Hartmann. Sesemann also offered several successful or - at least - original translations of Heideggerian terms into Russian. Since he understands the incompleteness of the project, the results of which were presented in the initial divisions of Being and Time, Sesemann remains very far from being able to provide a final judgement about it. And yet, he points out the key achievements of Heidegger: the special significance of the differentiation of the ways of being of Dasein and the inner-worldly entities, emphasis of care-structure, which allows to grasp Dasein in its integrity and systemic essence of Heidegger’s work. I also acknowledge that although the interpretation proposed by Sesemann contains some weaknesses, f.i., the interpretation of Dasein as being-awareness and the neo-Kantian understanding of the systematic essence of the ontology of Heidegger, the review written by Vasily Sesemann is highly keen and may be valid for reception of Heideggerian philosophy up to nowadays. (shrink)

The author of the article framed the question of the possible relevance of the treatment of the Schelling's philosophy in the context of a phenomenological one. Thereby, he points its problematic character, referencing Husserl's treatment of German idealism after Kant (including the thought of Schelling) as the romantic idealism. At the same time, he also states the influence of Schelling on the few phenomenologists who made their careers after Husserl. The article's author reviews the concept of the «being outside-itself» or (...) «ecstasy» in Schelling and Heidegger (as one of the phenomenologists) for the further concretization of the theme. The ecstasy in Schelling is the new name for the idealistic intellectual intuition, by which a singular subject loses its own position as subject and thereby gets to the position of the absolute subject. The absolute subject is one which cannot be an object already. Schelling identifies the ecstasy understood in this way with the wondering as philosophical initiation in Ancient Greece. Such ecstasy leads to unknowing knowledge in Schelling's words. The concept of being outside-itself means the structural element of being of human Dasein, i.e. of temporality in Heidegger. This philosopher thinks that a human being is always already outside itself ontologically, before any intuition both sensual and intellectual. The human subject is not closed in on itself, for then it has to transcend from its immanence to the outside. It is always outside itself, it is ecstatic. In its ecstasies, it is always in the world, instead of being inside the world and other people. Heidegger bases his critique of the traditional metaphysics of the subject on such understanding of the ontological structure of Dasein, i.e. of the true «subject». In conclusion, the article's author states that the approaches to the problem of being outside-itself of both mentioned philosophers are in principle, quite different. Schelling tries to rehabilitate the subjectivity by the reduction of the singular subject to the absolute one. On the contrary, the finitude of human Dasein is the necessary condition of its being in Heidegger. The ecstasy is interiorization in Schelling, but it is exteriorization, which has been always already realized, in Heidegger. However, the author of the article also pinpoints a certain isomorphism of the treatments of ecstasy in both thinkers. In the different ways they attempt to overcome the crisis of the understanding of the subject as closed in itself, create the conditions of this isomorphism. (shrink)

Our paper is an overview of the anniversary All-Russian scientific conference with international participation “Aleshin Academic Readings — 2022: Philosophy as a Way of Life. Dedicated to the 30th Anniversary of the Faculty of Philosophy of the Russian State University for the Humanities,” which was held at this faculty from December 15 to 17, 2022. The first day of its work was devoted to plenary reports, the other two days were connected with the work of sections and workshops. Speakers from (...) Moscow, Almaty (Kazakhstan), Volgograd, Yekaterinburg, Yerevan (Armenia), Kaliningrad, Rome (Italy), St. Petersburg, Simferopol, Tyumen, Ufa, Bochum (Germany), Essen (Germany) performed their presentations at the conference. It discussed a wide range of topics, both classical and modern philosophy, having some bearing on philosophy as a way of life and on the significance of a philosopher’s way of life for philosophical knowledge. Particular emphasis in the course of reports and discussions was placed on the problems of the relationship between theoretical and practical in philosophy, the limited nature of the philosophy of forms and concepts and the possibilities of overcoming such limitations, the existential sense of philosophizing, the possibility of explication of living historical experience by means of philosophy, the role of philosophy for diagnosing modernity, the prospects of dialectics, the relationship between philosophy and governments. Sections of the conference were also devoted to methodological, historiographical, pragmatic and other problems of modern thought. No less wide was the range of materials on which the speakers relied, starting with pre-Socratic philosophy and ending with the most relevant examples of philosophy that have not yet received sufficient reception in our country. Many talks also referred to the history of Russian philosophical thought. (shrink)

In my review, I analyze the main theses of Anastasiya Medova’s monograph entitled Phenomenology of Musical Experience (2021). The author of the book raises the issue of what it is that we generally hear as music, as well as many directly or indirectly related other issues with regard to both the essence and the ontological status of music. According to her, it is only the phenomenological methodology that can provide an answer to these questions, which deals with the specifics of (...) a musical object always in the context of the specifics of musical experience. Particular emphasis in the review is placed on the concept of reduction, as it is used in relation to music. It is designed to clear the experience of all elements not related to music as such, including sensitive shape-associations that often arise while listening to music. Another important point in the study of A. A. Medova is her posing of the question as to the regional nature of music and its possible correlation with the sphere of aesthetic in general. In this regard, I point out that the author of the monograph seeks to justify the irreducibility of music to the aesthetic sphere and that her solution of the problem of the possible regionality of music remains insufficiently determined. I also emphasize that one of the points of interest in the book is that Medova works with specific material, notably with the interpretation of significant works of musical art and the analysis of important theoretical statements about the essence of music. (shrink)