_Starve and Immolate_ tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Weaving together contemporary and critical political theory with political ethnography, Banu Bargu analyzes the death fast struggle as an exemplary though not exceptional instance of self-destructive practices that are a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed around the globe. Bargu chronicles the (...) experiences, rituals, values, beliefs, ideological self-representations, and contentions of the protestors who fought cellular confinement against the background of the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. A critical response to Michel Foucault's _Discipline and Punish_, _Starve and Immolate_ centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison. Bargu ultimately positions the weaponization of life as a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and in increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu explores the global ramifications of human weapons' practices of resistance, their possibilities and limitations. (shrink)

In recent decades, we have witnessed the emergence of new forms of warfare, which are characterized by asymmetry, irregularity and the cybernetization of weaponry. Waged from a distance, these wars have created the impression of decorporealization and low risk, at least for one of the contending parties. In contrast, the same asymmetric conflicts have been sites in which the human body has been utilized as a novel and lethal weapon. Although much scholarly attention has been paid to suicide attackers who (...) have become symbolic figures of this new warfare, this article draws attention to their inverse figure: human shields. The human shield risks life not to destroy and terrorize others but to resist organized violence and protect others. This article explores the figure of the human shield, situating it within the context of global moral spectatorship, international humanitarian law and biopolitical warfare. Arguing that the human shield is both a symptom and the immanent critique of the present, one that exposes its multiple contradictions, this article makes a case for the importance of the figure of the human shield for contemporary politics. (shrink)

This edited collection examines the relationship between three central terms-capitalism, feminism, and critique-while critically celebrating the work and life of a thinker who has done the most to address this nexus: Nancy Fraser. In honor of her seventieth birthday, and in the spirit of her work in the tradition of critical theory, this collection brings together scholars from different disciplines and theoretical approaches to address this conjunction and evaluate Fraser's lifelong contributions to theorizing it. Scholars from philosophy, political science, sociology, (...) gender studies, race theory and economics come together to think through the vicissitudes of capitalism and feminism while also responding to different elements of Nancy Fraser's work, which weaves together a strong feminist standpoint with a vibrant and complex critique of capitalism. Going beyond conventional disciplinary distinctions and narrow debates, all the contributors to this project share a commitment to critically understanding the connection between capitalism, exploitation, and the viable roads for emancipation.. They recover insights provided by classical traditions of political and social thought, but they also open new research directions adapted to the global challenges of our time. (shrink)

:This essay provides a reading of Steve McQueen's critically acclaimed movie Hunger, which tells the story of the hunger strike of Bobby Sands in light of contemporary hunger strikes around the world and especially in Guantánamo. The central concern of the essay is to read Hunger together with Horkheimer and Adorno's Dialectic of Enlightenment, showing how both works problematize the sacrificial subjectivity of enlightenment, its instrumental rationality, and sovereign temporality, while advancing a devastating critique of Western civilization. I argue that (...) Hunger situates the high-security prison within the self-destructive tendency of enlightenment and depicts how self-sacrificial resistance emerges as a response to sovereign domination. Interpreting the figure of Bobby Sands as the reversal of Odysseus in the encounter with the Sirens, I explore how insurgent sacrifice interrupts the dialectic of enlightenment and points to a new configuration of subjectivity and time. (shrink)