This collection of original essays examines the relationship between women and religion in the history of political thought broadly conceived. This theme is a remarkably revealing lens through which to view the Western philosophical and poetical traditions that have culminated in secular and egalitarian modern society. The essays also give highly analytical accounts of the manifold and intricate relationships between religion, family and public life in the history of political thought, and the various ways in which these relationships have manifested (...) themselves in pagan, Jewish, Christian and post-Christian settings. (shrink)

This essay explores references to monkeys as a way of talking about imitation, authenticity, and identity in Greek stories about the “Monkey Island” Pithekoussai and in Athenian insults, and in Plautus' comedy. In early Greek contexts, monkey business defines what it means to be aristocratic and authoritative. Classical Athenians use monkeys to think about what it means to be authentically Athenian: monkey business is a figure for behavior which threatens democratic culture—sycophancy or other deceptions of the people. Plautus' monkey imagery (...) across the corpus of his plays moves beyond the Athenian use of “monkey” as a term of abuse and uses the “imitative” relation of monkeys to men as a metapoetic figure for invention and play-making. For Plautus, imitator—and distorter—of Greek plays, monkeys' distorted imitations of men are mapped not onto the relations between inauthentic and authentic citizens, as in Athens, but onto the relation of Roman to Greek comedy and culture at large. Monkey business in Plautus is part of the insistence on difference which was always crucial in Roman encounters with Greek culture. (shrink)

When Lysidamus arrives on stage in Plautus′ Casina, he delightedly announces that he is in love with the slave girl Casina. He is returning, he says, from an expedition to buy perfume which he hopes has made him appealing to his beloved. Casina′s name is derived from the fragrant spice casia. Cassia and the related spice cinnamon originate in the Far East and were imported to Rome through Arabia or Africa.Like other ancient spices, cassia was used as perfume, condiment, and (...) in medicinal and religious contexts. (shrink)

Poetic incompetence is often blamed for infelicities or incongruities which appear in the poems collected in the Appendix Vergiliana, and in many cases such censure is justified. However, in the passage which is the subject of this note, Ciris 297–300, it is possible to reinterpret the incongruity which critics have remarked: when the pertinent evidence from antiquity is adduced, the lines are revealed as a display of scientific and etymological doctrina.