Cohle is at ease with his lack, and his ease enables him to remain fixated on the desire of the other. This is precisely what makes Cohle the better detective, indeed the True Detective. It is because Cohle himself is unable to experience guilt— the true sign of any noir hero. Gilles Deleuze argues that the core structure of the detective's search for truth follows an Oedipal trajectory. Sophocles' classic myth of Oedipus presents the basic structure of the detective genre. (...) Cohle develops a philosophy, specifically what is referred to as anti‐natalism, or the belief that human beings should not procreate. The Lacanian philosopher Alenka Zupancic points out that Oedipus was the first noir hero precisely because in Oedipus the hero is also the villain— the two become indistinguishable. Cohle can read the signs all around him, however he has surpassed Oedipus. The ending of season one represents the ending of Cohle's trajectory of a psychotic subject. (shrink)