Resumen: El presente artículo tiene por objetivo la reconstrucción del argumento dominador atribuido a Diodoro Crono y su revisión filosófica a la luz de la crítica aristotélica al actualismo extremo de la Escuela de Mégara en Metafísica IX, 3. Desde esta perspectiva, el trabajo aspira a situar el proyecto teórico de Diodoro en el marco de su disputa filosófica con la metafísica aristotélica y su concepto de δύναµις, con el fin de traducir esta querella dialéctica en lo que, a nuestro (...) juicio, constituye una disputa teórica de importantes consecuencias prácticas: la disyunción excluyente entre el azar y el destino como paradigmas de interpretación conceptual y de acción moral.: This paper aims to reconstruct and analyze the Master Argument attributed to Diodorus Chronus under the perspective of Aristotle's criticism of extreme actualism in Metaphysics IX. 3. From this point of view, the paper locates Diodorus' theoretical project within the framework of his philosophical dispute with Aristotle's metaphysics and the Aristotelian concept of δύναµις, trying to show that what really lies behind this dialectical confrontation is a theoretical problem of important practical consequences: the excluding disjunction between chance and destiny as paradigms of conceptual interpretation and moral action. (shrink)

This paper considers the technologically-mediated constitution of auditory experience based on the analogy of a healthy natural soundscape as a well-balanced orchestra in which living creatures use the full range of acoustic frequencies to communicate and survive. Using the idea of (inner) horizonality proposed by Edmund Husserl, I argue that key technological inventions enabling the transmission and recording of sound made possible a new form of experience characterized by split horizonality. This new form of technologically-mediated auditory experience brought with it (...) potential for both creative expression and manipulation. A broader historical trend driven by technology towards individualization that culminated with our present-day experience of constantly connected mobile phones deeply embedded in our everyday lives calls into question the soundness of thinking of our technologically-mediated auditory worlds in terms of the analogy of a healthy natural soundscape as a well-balanced orchestra. (shrink)

Increasingly privatized auditory spaces resulting from the mutual engendering of auditory cultural practices and sound technologies that separated the sense of hearing and segmented acoustic spaces have had a muting effect on our experience of Others that has intensified since the advent of mobile listening devices. In Section 1 of the article, I outline features of the social realm of the nineteenth to twentieth centuries that made modern sound technologies possible and then features of the technological realm that have shaped (...) today’s social realm – all with an eye toward our experience of other people. Then, in Section 2, I reach for a few phenomenological tools from the work of Jean-Paul Sartre, Emmanuel Levinas, and Don Ihde to draw out the phenomenological vectors that have taken shape within the enmeshed sociotechnological context described in Section 1. Specifically, I show how technologically mediated auditory experience has been individualized and how the use of sound technologies on the go – whether wearing earphones or in a car – has had a muting effect on our experience of others. (shrink)