ABSTRACT This article analyzes the politics of nostalgia’s history as a fatal disease between the seventeenth and nineteenth centuries, especially as it was applied to slaves in late eighteenth-century Cuba. I trace nostalgia’s medical history beginning with its inauguration in Swiss medicine in 1688, and then describe the contours of its transformation into a military disease primarily affecting white soldiers in France and the United States. Finally, I translate and analyze key elements of Francisco Barrera y Domingo’s work on nostalgia (...) as experienced by slaves in sugar mills in Havana. I show that Barrera uses his analysis of nostalgia and its treatment to describe the slaves’ harrowing conditions and homesickness. Nevertheless, in denying slaves the ability to return home and in failing to propose the abolition of the slave system in the wake of the Haitian Revolution, I argue, Barrera in fact deploys the diagnosis of nostalgia in order to medicalize and pathologize the slaves’ reactions and resistance to their captivity. Thus, despite his sympathy to the slaves, I conclude that for Barrera, nostalgia functions as a tool to better manage the slaves as laborers and as property. (shrink)

ABSTRACT This article excavates the meaning of Fanon’s declaration against Sartre in Black Skin, White Masks, “between the white man and me the connection was irremediably one of transcendence,” which is attached to a footnote that has received little attention from Fanon’s commentators: “In the sense in which the word is used by Jean Wahl in Existence humaine et transcendence.” The goal of this article is to clarify what Wahl meant by “transcendence,” and what such a conception might tell us (...) about Fanon’s disagreement with Sartre and his view of dialectics more broadly. Ultimately, the article shows that Wahl, following Kierkegaard, conceives of transcendence as a relationship of qualitative difference, which is constitutive of our subjectivity. It is thus this relationship of difference, of a nonreciprocal exclusion that cannot be sublated, that Fanon posits between white and Black. (shrink)

Grounded in and influenced by the work of thinkers such as Maurice Merleau-Ponty, Frantz Fanon, Iris Marion Young, and Lewis Gordon, critical phenomenologists such as Lisa Guenther, Linda Martín Alcoff, George Yancy, and Sara Ahmed have recently provided accounts of whiteness through a phenomenological lens. In these analyses, whiteness is often figured as a "transcendental norm," a "background to experience," a "natural attitude," and a "sociogenic force," which remains invisible while structuring the world. In this article I suggest that such (...) accounts ultimately collapse whiteness and the white subject, imagining the latter simply as an embodiment of the former. Consequently, these approaches to whiteness lack explanatory power. I argue that a critical phenomenological account of whiteness must examine more closely the relationship between white subjects and whiteness, and specifically point to the tensions, gaps, and contradictions between them, as these are not accidental but central to the very constitution of whiteness and to the power it wields over its subjects. (shrink)