The Theory of Narrative Identity attempts to answer multiple concerns about the construction of self-concept. It suggests that the subject gives sense to their experiences by assimilating them as a set of narratives that explain their existence. This approach provides them with a foundation that makes it easy for them to gain self-understanding and plan their actions. However, the Theory of Narrative Identity is unable to face important difficulties related to intelligibility and social interaction. This work presents an alternative proposal (...) thanks to the Theory of Dramatic Identity, which focuses its study on the action of the individual itself. La Teoría narrativa de la identidad trata de dar respuesta a múltiples inquietudes sobre construcción del autoconcepto. Esta sugiere que el sujeto da sentido a su experiencia al asimilarla como un conjunto de narraciones que explican su existencia. Esto le proporciona una base que le facilita adquirir autocomprensión y planificar sus acciones. Sin embargo, la Teoría Narrativa de la identidad es incapaz de enfrentar importantes dificultades relacionadas con la inteligibilidad y la interacción social. Este trabajo presenta una propuesta alternativa a través de la Teoría dramática de la identidad, que centra su estudio en la agencia del sujeto. (shrink)

Recent works on narrative self-concept still do not pay enough attention to how a person’s actions influence her narration. Narrative structures may enable the subject to give meaning and continuity over time to her experience. But also, a person’s behavior can make sense of her self-concept. From this perspective, the Narrative Identity Theory might be insufficient for addressing the challenge of making sense of the subject’s actions during the interaction itself. The Dramatic Identity Theory's proposal can complement the Narrative Theory (...) on such points. Accordingly, this work will explore the relationship between these two theories in order to explain how the Dramatic Identity Theory can solve these problems, with a proposal based on the analogy between a theater actor’s performance and the subject's actions. (shrink)

One of major branches of philosophical research is the self, which, in particular, tries to find out how a subject creates her identity. In this work, I will just focus on two kinds of identity approaches: the narrative self-concept and the dramatic self-concept. I will argue that, although the Narrative identity approach especially helpful for the subject being able to give continuity to her actions, the Dramatic identity is which achieves to give meaning to the subject’s actions as soon as (...) they are happened, and also to herself. Hence, although both approaches might be useful for the self-concept of a subject because maintain a bidirectional relationship, it is the Dramatic identity theory which manages to resolve certain problems facing Narrative identity theory. To explain this, I will claim that agent is dramatized herself by acting in different situations. Following Erving Goffman and J. David Velleman, what it is posed in this essay is that the subject develops a Dramatic identity, in a similar way to the performer who represents her character, when she enacts herself in concrete contexts. That is, the agent dramatizes herself in a situation in a manner similar as an actor represents a character on stage. Consequently, my main goal is to answer to how an agent makes her identity by acting in social contexts. (shrink)