This paper questions the notion of creativity found in certain artworks produced with A.I. technologies. The artistic examples concerned are: The Giver of names by David Rokeby, Oscar by Catherine Ikam and Louis Fléri, and Emotion Vending Machine by Maurice Benayoun. These artworks were selected because they stand out for their autonomous behavior in front of the human public. In this context, creativity is revealed as a consequence of the functional autonomy, which is very typical of these pieces of art. (...) The intention is to establish a relationship between the notion of autonomy and that of creativity, reviewing their meanings and applications in philosophy and in the field of life science. (shrink)

The focus of the article is a philosophical and methodological reflection of V.S. Styopin on three main components of the foundations of science: ideals and norms of scientific research, the scientific picture of the world and the philosophical foundations of science. Each of them, in turn, has a rather complex internal structure. Therefore, the task of the article is not limited to the development of perceptions of these three "blocks" of foundations, which has been thoroughly achieved by a number of (...) authors, including Styopin, but mainly to what extent these grounds express important values and goals and dimensions of science. (shrink)