Although many aspects of Bonaventure’s little classic De Reductione Artium ad Theologiam have been addressed in recent literature,1 the translation of the title remains problematic, not only from Latin into English but also from a Greek precedent into Latin. Calling it “On the Reduction of the Arts to Theology” always requires an explanation of the word “reduction.”2 How all the arts, indeed all of human learning, relate to theology and thus to God can hardly be considered a reduction in the (...) usual sense. “Leading back” is better, because it suggests the overall theological structure, but is still an incomplete translation, as revealed by the Greek background. The Latin word family reducere in this case reflects a .. (shrink)

Hugh of Saint Victor was an incredibly influential philosopher and theologian in 10th century France-his eloquence and writing earning him fame exceeding even that of St. Bernard. Yet despite his medieval celebrity, Hugh remains incredibly understudied in contemporary academica. Paul Rorem offers a basic introduction to Hugh's theology, through a comprehensive survey of his works. Drawing his evidence not only from Hugh's own descriptions of his work but from the earliest manuscript traditions of his writings, Rorem organizes and presents his (...) corpus within a tri-part framework, treating each of Hugh's major works in its appropriate place, and orienting the reader to its contents, as well as its location in Hugh's overarching program of theological pedagogy. (shrink)