This article describes answerability, a fundamental component of social reason and action. "Holding answerable" and "being answerable" are characterized in terms of their roles in the drama of human relations, and our general tendency to anticipate answerable, rather than ethical, behavior in situations that are ethically problematic is discussed.

Was Durkheim an apologist for the authoritarianism? Is the sociology founded upon his work incapable of critical perspective; and must it operate under the presumption that social agents, including sociologists themselves, are incapable of reflexivity? Certainly some have said so, but they may be wrong. In this essay, I address these questions in the light of Durkheim's revisionary sociology of morals. I elaborate on unfinished elements in Durkheim's abruptly concluded (because of his early and unexpected death) scholarship, pointing out Durkheim's (...) recognition that co-present moral spheres always exist in an organically complex society, and explaining how these co-present spheres obligate social agents to untether from any absolute moral affiliations. Ultimately, then, the argument shows how the solidarity/social-order relationship is transcended within Durkheim's sociology, even by Durkheim himself. (shrink)

In December 2006, dons at Oxford University caused turmoil by rejecting a set of governance reforms that were championed by their own vice-chancellor. This book is a response to these events, addressed in large part to Oxford's funders - government and benefactors - and is useful reading for those with an interest in the future of this university.Sir Anthony Kenny was formerly Master of Balliol College, Oxford, and president of the British Academy. He is the author of many books on (...) philosophy and over 40 years has held almost every kind of post in Oxford from graduate student to pro-vice-chancellor. Robert Kenny is managing director of a consulting firm. (shrink)

Because Western experiments assume creativity is an individual phenomenon and rarely investigate how trust and openness might build collective resonance, flow, and creativity, the creative whole typically amounts to less than the sum of the parts. The author argues, however, that group creativity increases as members develop, especially through Wilber's (in press) transpersonal stages. He illustrates how organizational leaders have facilitated creativity through reflective practice. Presenting evidence regarding the field effects of collective consciousness, he suggests that our minds and hearts (...) interact in subtle yet powerful ways, which leaders can intuit, to support the emergence of collaborative creativity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 36.4 (2003) 379-383 [Access article in PDF] Husserl at the Limits of Phenomenology: Including Texts by Edmund Husserl. Maurice Merleau-Ponty. Ed. Leonard Lawlor with Bettina Bergo. Trans. Leonard Lawlor. Evanston, IL: Northwestern University Press, 2002. Pp. 192. $19.95 pbk. The most striking characteristic of this volume is the manner that it presents layers of interpretation to the reader, particularly in that the writing is not intended (...) as a postmodern fête, and has limited value as a hermeneutic enterprise. Ultimately the book's true contribution is the seventy-nine pages devoted to the translation and printing of lecture notes used by [End Page 379] Merleau-Ponty in a class he gave at College de France, shortly before his death. However, the explanation of why this is so will have to be withheld until the end of this review.The course that Merleau-Ponty gave was organized around three essays published by Edmund Husserl. These essays are included in the volume reviewed here and must be briefly dealt with, as they are the core of whatever thinking occurs within and around this book. Interesting essays all, they deal with three longstanding issues of philosophical debate. The first essay challenges the classical notion of a transcendent ideal. Husserl attempts to show, through an examination of geometry, that an ideal is first called into existence when it is called into the realm of human experience, and he does this without ever resorting to the quality of detached being that Plato attributes to ideals. Then, in his second essay, Husserl attempts to defeat modernist cosmology, arguing, against Galileo, that the earth is a fixed point in the universe. Finally, his third essay hearkens back to Heraclitus and Parmenides, examining how human experience is able to extract a sense of atemporal quiddity in a world that is constantly falling into a past. A reader might be baffled that an intellectual could make such claims, but they are made from within the framework of phenomenology, and, within this paradigm as Husserl explains it, the claims he makes do not seem ridiculous at all. "The Origins of Geometry," "The Originary Ark, The Earth, Does Not Move," and "The World of the Living Present,"— these are the three essays that Merleau-Ponty forms his lecture course around. At sixty pages within this volume, they constitute one third of the text itself. For intellectual worth, I would say that these essays are the finest contribution in the text, but that claim is discounted because much of the essay material was already available in English translation. Nevertheless, it only makes sense to have it included in this volume in order to conveniently work back and forth between Merleau-Ponty's notes and Husserl's actual essays.However, that brings us to a significant problem within the text itself. If readers are like me, they will realize that it is often difficult to draw conclusions from the notes of others. Like secretarial shorthand, notes rely on a reader's ability to read both what has been written and what has been withheld in an expressive passage. There is no code that will allow us to recover what Merleau-Ponty recovered as he looked down on his podium at these notes and then raised his head to speak to his class. All that we have are the fragments, and they do not make a coherent argument, lacking both the clarity and the painstaking thoroughness that we find in books [End Page 380] such as The Phenomenology of Perception and The Visible and the Invisible. Certainly one cannot fault Merleau-Ponty for this—he did not write these notes for us, but for himself. His course might have been magnificent, even transcendent, but we will not know that from these fragments.I suppose it could be argued that the ambiguity inherent in such fragments liberates the text and opens it for some sort of radical hermeneutic exegesis; however, I sigh at the very thought of such an argument. Unless we intend to transform... (shrink)