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  1. Overlapping heavens in the wall paintings of Mogao Cave 285 at Dunhuang : an art-historical study of the syncretistic images on its west wall and ceiling.Satomi Hiyama - 2022 - In Bill M. Mak & Eric Huntington (eds.), Overlapping cosmologies in Asia: transcultural and interdisciplinary approaches. Boston: Brill.
     
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  2. Overlapping heavens in the wall paintings of Mogao Cave 285 at Dunhuang : an art-historical study of the syncretistic images on its west wall and ceiling.Satomi Hiyama - 2022 - In Bill M. Mak & Eric Huntington (eds.), Overlapping cosmologies in Asia: transcultural and interdisciplinary approaches. Boston: Brill.
     
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    Transmission of the “World”: Sumeru Cosmology as Seen in Central Asian Buddhist Paintings Around 500 AD.Satomi Hiyama - 2020 - NTM Zeitschrift für Geschichte der Wissenschaften, Technik und Medizin 28 (3):411-429.
    This paper considers the process of how the image of Mount Sumeru, the axis mundi of the Indian Buddhist cosmology, was transmitted from the Indo-Iranian cultural sphere to the Chinese cultural sphere in the fifth and sixth centuries. The research focus is mainly on the representations of Mt. Sumeru in the wall paintings of two monumental Buddhist sites from this period, the Kizil Grottoes (Kucha) and the Mogao Grottoes (Dunhuang), with reference to a relevant image in the Yungang Grottoes (Datong). (...)
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    Wanderung der „Welt“: Sumeru-Kosmologie in zentralasiatischen buddhistischen Wandmalereien um 500 n. Chr. [REVIEW]Satomi Hiyama - 2020 - NTM Zeitschrift für Geschichte der Wissenschaften, Technik und Medizin 28 (3):411-429.
    This paper considers the process of how the image of Mount Sumeru, the axis mundi of the Indian Buddhist cosmology, was transmitted from the Indo-Iranian cultural sphere to the Chinese cultural sphere in the fifth and sixth centuries. The research focus is mainly on the representations of Mt. Sumeru in the wall paintings of two monumental Buddhist sites from this period, the Kizil Grottoes (Kucha) and the Mogao Grottoes (Dunhuang), with reference to a relevant image in the Yungang Grottoes (Datong). (...)
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