In the volatile conflicts that inaugurated the twenty-first century, secularism, democracy, and freedom were identified by Western nation-states as symbolizing their civilizational values, in contrast to the fanaticism, misogyny, and homophobia they attributed to “Islam.” The figure of the Muslim was thus transformed into an existential threat. This paper analyzes an exchange among scholars—Is Critique Secular? Blasphemy, Injury, and Free Speech—that engages these highly contested issues. As such, the text provides a rare opportunity to study how particular significations of the (...) West, its epistemological tradition, and its relation with Islam are contested and negotiated in a critically engaged site during a moment of global crisis. My reading of the text leads me to argue that the stabilization of the epistemic power of the West is presently reliant on a new iteration of its foundational philosophical concepts to suppress counter-hegemonic narratives that foreground its forms of violence. Further, the terrain for this reshaping of the dominance of this tradition is gender/sexuality, such that queer politics are located at the forefront of the Western politico-philosophical project. As such, the advancement of this tradition is co-constitutive with that of the gendered-sexual subject as emblematic of its highest civilizational values. (shrink)

The War on Terror is reconfiguring the practices that constitute whiteness through its definition of the West as endangered by the hatred and violence of its Islamist Other. Critical race and feminist theorists have long defined `whiteness' as a form of subjectivity that is socially constructed, historically contextual, and inherently unstable. The equation of whiteness as a social identity with the socio-political category of the West has been seen as particularly problematic for its implication in colonial and imperialist projects. These (...) theorists have also noted that the economic and political power of the West has enabled white subjects to exalt themselves even as they have sought to define the nature of the Other. This paper examines how three feminist texts engage with the hegemonic discourse of the War on Terror and its (re)constitution of whiteness. (shrink)