'Young People and Social Media: Contemporary Children's Digital Culture' explores the practices, relationships, consequences, benefits, and outcomes of children's experiences with, on, and through social media by bringing together a vast array of different ideas about childhood, youth, and young people's lives. These ideas are drawn from scholars working in a variety of disciplines, and rather than just describing the social construction of childhood or an understanding of children's lives, this collection seeks to encapsulate not only how young people exist (...) on social media but also how their physical lives are impacted by their presence on social media.One of the aims of this volume in exploring youth interaction with social media is to unpack the structuring of digital technologies in terms of how young people access the technology to use it as a means of communication, a platform for identification, and a tool for participation in their larger social world. During longstanding and continued experience in the broad field of youth and digital culture, we have come to realize that not only is the subject matter increasing in importance at an immeasurable rate, but the amount of textbooks and/or edited collections has lagged behind considerably. There is a lack of sources that fully encapsulate the canon of texts for the discipline or the rich diversity and complexity of overlapping subject areas that create the fertile ground for studying young people's lives and culture. The editors hope that this text will occupy some of that void and act as a catalyst for future interdisciplinary collections.'Young People and Social Media: Contemporary Children's Digital Culture' will appeal to undergraduate students studying Child and Youth Studies and-given the interdisciplinary nature of the collection- scholars, researchers and students at all levels working in anthropology, psychology, sociology, communication studies, cultural studies, media studies, education, and human rights, among others. Practitioners in these fields will also find this collection of particular interest. (shrink)

In his recent second supplement to his invaluable catalogue of manuscripts of Ovid's Metamorphoses, Munari reports two manuscripts from the Bibliotheca Vallicelliana in Rome. The second of these, number 405 in his cumulative list, is Bibl. Vallicelliana F 25. According to the description supplied to Munari and so quoted, the manuscript is a miscellany, 23Ox 142 mm., membr. fourteenth century, and the Ovidian material is the last or number 7 of the miscellaneous pieces, fols. 117–34. So far, the information is (...) correct. However, on a crucial point, namely the exact contents of the Ovidian poem preserved, the data are in error. (shrink)

In his recent second supplement to his invaluable catalogue of manuscripts of Ovid's Metamorphoses, Munari reports two manuscripts from the Bibliotheca Vallicelliana in Rome. The second of these, number 405 in his cumulative list, is Bibl. Vallicelliana F 25. According to the description supplied to Munari and so quoted, the manuscript is a miscellany, 23Ox 142 mm., membr. fourteenth century, and the Ovidian material is the last or number 7 of the miscellaneous pieces, fols. 117–34. So far, the information is (...) correct. However, on a crucial point, namely the exact contents of the Ovidian poem preserved, the data are in error. (shrink)

Persius places these words in the mouth of his interlocutor, who states one of the traditional arguments against satire in the contrived manner typical of our poet. The passage may be translated: ‘What need is there to rasp upon tender little ears with biting truth? Be careful that the thresholds of the great do not perhaps grow cold towards you; here there is the nasal sound of the canine letter.’.

Persius places these words in the mouth of his interlocutor, who states one of the traditional arguments against satire in the contrived manner typical of our poet. The passage may be translated: ‘What need is there to rasp upon tender little ears with biting truth? Be careful that the thresholds of the great do not perhaps grow cold towards you; here there is the nasal sound of the canine letter.’.

Creativity is the linking point between all fields of human endeavor and thought, William Anderson writes in this inspiring and far-ranging inquiry into the nature of human invention, its impact on the contemporary world, and the self-imposed limitations that shackle our creative potential. Based on his concept of the Great Memory, a shared past from which we draw energies, ideas, and images that lead us to new creations, Anderson argues that creativity is an outpouring of the conscious psyche, not the (...) realization of unconscious impulses. A poet, philosopher, and historian, he provides support for his thesis in a fascinating world tour of anecdotes, events, and images: characters from Aztec literature, the windows of Chartres Cathedral, the siege at Masada, the choreography of Diaghilev's Ballets Russes. (shrink)

Anime is exploding on the worldwide stage! Anime has been a staple in Japan for decades, strongly connected to manga. So why has anime become a worldwide sensation? A cursory explanation is the explosion of online streaming services specializing in anime, like Funimation and Crunchyroll. Even more general streaming services like Netflix and Amazon have gotten in on the game. Anime is exotic to Western eyes and culture. That is one of the reasons anime has gained worldwide popularity. This strange (...) aesthetic draws the audience in only to find it is deeper and more sophisticated than its surface appearance. Japan is an honor and shame culture. Anime provides a platform to discuss "universal" problems facing human beings. It does so in an amazing variety of ways and subgenres, and often with a sense of humor. The themes, characters, stories, plotlines, and development are often complex. This makes anime a deep well of philosophical, metaphysical, and religious ideas for analysis. International scholars are represented in this book. There is a diversity of perspectives on a diversity of anime, themes, content, and analysis. It hopes to delve deeper into the complex world of anime and demonstrate why it deserves the respect of scholars and the public alike. (shrink)

Anime is exploding on the worldwide stage! Anime has been a staple in Japan for decades, strongly connected to manga. So why has anime become a worldwide sensation? A cursory explanation is the explosion of online streaming services specializing in anime, like Funimation and Crunchyroll. Even more general streaming services like Netflix and Amazon have gotten in on the game. Anime is exotic to Western eyes and culture. That is one of the reasons anime has gained worldwide popularity. This strange (...) aesthetic draws the audience in only to find it is deeper and more sophisticated than its surface appearance. Japan is an honor and shame culture. Anime provides a platform to discuss “universal” problems facing human beings. It does so in an amazing variety of ways and subgenres, and often with a sense of humor. The themes, characters, stories, plotlines, and development are often complex. This makes anime a deep well of philosophical, metaphysical, and religious ideas for analysis. International scholars are represented in this book. There is a diversity of perspectives on a diversity of anime, themes, content, and analysis. It hopes to delve deeper into the complex world of anime and demonstrate why it deserves the respect of scholars and the public alike. (shrink)