In arguing for their position, one argument that is often used by the constructivist is that they are better able than the realist to avoid the threat of moral scepticism – where it is this claim that I want to consider further in this paper, particularly as it figures in the work of Christine Korsgaard. However, I want to consider this claim not in itself, but rather how it has fuelled a certain way of reading Kant, namely as a constructivist (...) rather than a realist about the moral value of rational beings. For, it is held, we can see a constructivist and not a realist sensibility at work in the way in which Kant seeks to address sceptical concerns over such value claims, where this is said to be particularly evident in the Formula of Humanity argument in the Groundwork. I want to contend, by contrast, that when properly understood this text suggests the opposite: namely, that Kant’s attitude to scepticism here fits better with the one that Korsgaard attributes to the realist, and that the constructivist manoeuvres that she claims to identify are not to be found. Of course, this in itself does not show that Kant should be read as a realist, as there are other issues and other texts at stake in this controversy; nonetheless, I hope this discussion will at least neutralize one important part of the constructivist’s interpretative argument, while shedding light on the broader debate. (shrink)

Kant claims that the judgement of taste, the judgement that some particular is beautiful, exhibits two ‘peculiarities’. First: [t]he judgement of taste determines its object in respect of delight with a claim to the agreement of every one , just as if it were objective.

The outcome of criticism is a perception. Does this mean that criticism cannot count as a rational process? For it to do so, it seems it would have to be possible for there to be an argument for a perception. Yet perceptions do not seem to be the right sort of item to serve as the conclusions of arguments. Is this appearance borne out? I examine why perceptions might not be able to play that role, and explore what would have (...) to be true of critical discourse for those obstacles to be circumvented. (shrink)

What is special about picturing according to the rules of perspectival drawing systems? My answer is at once both radical and conciliatory. I think that depiction essentially involves a distinctive experience, an experience of resemblance. More precisely, the picture must be seen as preserving what Thomas Reid (Enquiry 1764) called the "visible figure" of what is represented. It follows from this, and from some other plausible premises, that if a picture is to depict detailed spatial arrangements, rather than simply to (...) represent them in some other, non-pictorial, way, it must conform to perspectival rules. Hence the radicalism. Perspective does not provide uniquely accurate or realistic ways to depict things, but, for certain aspects of the world, the only way to depict them at all. What of the conciliatory aspect of my view? My account of depiction in no way implies that only perspectival pictures can depict anything at all. Indeed, it is quite consistent with a good deal of variation in the marks which might, in the right context, depict a given content. But better still, the factors determining what we see a picture as resembling, and hence partially determining what it depicts, are just those factors emphasized by those who take perspective to be a matter of convention. They include, for instance, the nature of the subject's perceptual environment, and the sorts of pictures to which he has previously been exposed. Thus, even given the radical claim, the variety in ways of depicting a given thing is neither incomprehensible nor indicative of some kind of failure. We can understand perspective's special status without denigrating the alternatives. (shrink)

What is distinctive about sculpture as an artform? I argue that it is related to the space around it as painting and the other pictorial arts are not. I expound and develop Langer's suggestive comments on this issue, before asking what the major strengths and weaknesses of that position might be.

This paper considers whether pictures ever implicitly represent internal spectators of the scenes they depict, and what theoretical construal to offer of their doing so. Richard Wollheim's discussion (Painting as an Art, ch.3) is taken as the most sophisticated attempt to answer these questions. I argue that Wollheim does not provide convincing argument for his claim that some pictures implicitly represent an internal spectator with whom the viewer of the picture is to imaginatively identify. instead, I defend a view on (...) which the external spectator simply imagines herself interacting, psychologically and otherwise, with the depicted scene. I explore some of the consequences of the two positions for pictorial aesthetics, arguing that the view I favour is at least as competent as Wollheim's at accommodating those phenomena we have any reason to think hold. (shrink)

My aim in this paper is to consider one of Peirce's criticisms of Hegel, namely, that Hegel was a nominalist. Of the various criticisms of Hegel that Peirce offers, this has been little discussed, perhaps because it is puzzling to find Peirce making it at all. For, Peirce also criticises Hegel for his overzealous enthusiasm for Thirdness, where it is then hard to see how Hegel can have both faults: how can anyone who acknowledges the significance of Thirdness in Peirce's (...) sense also fail to be a realist? I will begin by setting out this difficulty and showing how it can be resolved, and will then consider the justice of Peirce's criticism once we have a clear idea of what it amounts to. I will suggest that this criticism is unwarranted, and that in some respects it is curious to find Peirce making it, when he could just as easily have treated Hegel as an ally in the bmggle with nominalism. The issue therefore takes us to the heart of Peircean and Hegelian metaphysics, and in a way that relates to questions that are central to contemporary philosophical debates concerning the nature of realism, idealism, and anti-realism. (shrink)

Leif Wenar examines the impact on takings scholarship of the redefinition of "property" early in the twentieth century. He argues that the Hohfeldian characterization of property as rights (instead of as tangible things) forced major scholars such as Michelman, Sax, and Epstein into extreme interpretations of the Takings Clause. This extremism is unnecessary, however, since the original objections to the idea that "property is things" are mistaken.

The motivation for adopting reductive and anti-reductive theories of testimonial warrant is considered. Whilst both well-motivated neither position can adequately capture the dynamic aspect of the individual knowers relationship to the wider community of knowledge. A hybrid theory of testimony is proposed that attempts to do just this.

This article concerns the claim that it is possible to create living organisms, not merely models that represent organisms, simply by programming computers. I ask what sort of things these computer-generated organisms are supposed to be. I consider four possible answers to this question: The organisms are abstract complexes of pure information; they are material objects made of bits of computer hardware; they are physical processes going on inside the computer; and they are denizens of an entire artificial world, different (...) from our own, that the programmer creates. I argue that could not be right, that collapses into, and that would make strong alife either absurd or uninteresting. Thus, "virtual" strong alife amounts to the claim that, by programming a computer, one can literally bring bits of its hardware to life. (shrink)

[First paragraph] For a long time philosophers thought material objects were unproblematic. Or nearly so. There may have been a problem about what a material object is: a substance, a bundle of tropes, a compound of substratum and universals, a collection of sense-data, or what have you. But once that was settled there were supposed to be no further metaphysical problems about material objects. This illusion has now largely been dispelled. No one can get a Ph.D. in philosophy nowadays without (...) encountering the puzzles of the ship of Theseus, the statue and the lump, the cat and its tail complement', amoebic fission, and others. These problems are especially pressing on the assumption that we ourselves are material objects. (shrink)

One third of the human species is infested with worms. The World Health Organization estimates that worms account for 40 per cent of the global disease burden from tropical diseases excluding malaria. Worms cause a lot of misery.In this article I will focus on one particular type of infestation, which is hookworm. Approximately 740 million people suffer from hookworm infection in areas of rural poverty: more than one human in ten, a total greater than twenty-three times the population of Canada (...) or twice the population of the United States. The greatest numbers of cases occur in China, Southeast Asia, and Sub-Saharan Africa- that is, mostly in the places in the world where poverty is most severe.Hookworm larvae pierce the skin, enter the bloodstream, work their way into the heart and then into the lungs, where they climb the bronchial tree into the throat and are swallowed. (shrink)