Abstract

At the fore of concern within Whitehead scholarship are the main interpretive issues revolving around the relationships of God, creativity, and the world. Some critics have charged that Whitehead’s mature thought suffers from a lack of coherence in his formulation of the relationship between God and creativity as they function in cosmic generativity, a charge proven difficult to overcome. Such critics have posed the following question. In light of Whitehead’s commitment to the Ontological Principle, how can God and creativity stand as separate formative elements in the world’s creative advance? This question illustrates, some say, how the separation of God from creativity within Whitehead’s process philosophy..