Abstract

The Treatise on Golden Lion is one of the most familiar and the most popular treatises in Chinese Mahayana Buddhism. Fazang, who made a system out of the classical form of learning in the Chinese school called „Flower wreath“ (Huayan), allegedly wrote this short work as a description of a real event – he explained his doctrine in the emperor's palace using a golden sculpture of a lion. He explains the fundamental implications of the doctrine oh his school – the doctrine of the absolute interwovenness and absolute mutual inclusiveness of all things. These, as in all schools of Mahayana Buddhism, are based on the theory of the emptiness of all things and the world. These implications, valid in all phenomenal world (there is nothing but the phenomena, beyond the phenomena there is nothing) are explained also by means of the specification of the relationship between the principle (the gold) and the phenomena (the lion).