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What Is the Object of Art?
Journal of Aesthetics and Phenomenology 9 (1):1-15 (2023)
Abstract
The aim of this paper is establish the difference between aesthetics and the philosophy of art. Part of the argument is that only a philosophy of art can give an adequate philosophical account of works of art. The argument is advanced drawing on the writings of Immanuel Kant and Gunter Figal.Author's Profile
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Citations of this work
Phenomenology as an Abortive Science of Art: Two Contexts of Early Phenomenological Aesthetics ( Allgemeine Kunstwissenschaft_ and _GAChN).Patrick Flack - 2023 - Journal of Aesthetics and Phenomenology 10 (2):109-125.
References found in this work
Critique of the Power of Judgment.Hannah Ginsborg, Immanuel Kant, Paul Guyer & Eric Matthews - 2002 - Philosophical Review 111 (3):429.
The Arcades Project.Walter Benjamin, Howard Eiland & Kevin Mclaughlin - 1999 - Science and Society 65 (2):243-246.
The Flash of Knowledge and the Temporality of Images: Walter Benjamin’s Image-Based Epistemology and Its Preconditions in Visual Arts and Media History.Sigrid Weigel - 2015 - Critical Inquiry 41 (2):344-366.
Blank Spaces and Blank Spots.Günter Figal - 2020 - In Stefano Marino & Pietro Terzi (eds.), Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations. De Gruyter. pp. 61-74.
Reading, seeing and the logic of abandonment : Rembrant's 'Self portrait as the apostle Paul'.Andrew Benjamin - 2017 - In Antonio Cimino, George Henry van Kooten & Gert Jan van der Heiden (eds.), Saint Paul and Philosophy: The Consonance of Ancient and Modern Thought. De Gruyter. pp. 21-46.
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