Abstract

This essay engages with Cressida Heyes’s Anaesthetics of Existence (2020) on two points. First, it raises worries about Heyes’s apparent association of anaesthetic time with feminist resistance. Second, it reconsiders Heyes’s account of the specific harm involved in raping unconscious individuals, as well as her account of the sort of agency nullified by rape more generally, by appealing to the notion of interpersonal spatiality.