Abstract

In this article the Author reconstructs some aspects of Enzo Paci’s aesthetics theory, focusing the attention on the concept of “rebirth”, connected to the topic of “growing” (reifen) in Rilke’s poetry. This interpretation of Rilke’s poetry, which he read during his imprisonment in several nazist concentration camps between 1943 and 1945, confirmed in Paci his previous philosophical perspective and allowed for new developments of thought. According to Paci, art cannot be separated from the theoretical field, thus displaying an essential role in the universal interrelation. The word of the poet as well as the humility of human work – potentially corrupted by modern technology – give meaning and value to the world, allowing it to be born again, through a transfiguration in the spirit. Therefore, in the aesthetics field, and specifically in Rilke’s reading, Paci’s philosophy finds unity and coherence, from its existential phase – the latter temporally preceded, according to the Author, by the development of a negative ontology (1934-1941), under the influence of philosophers such as Croce, Gentile and Carabellese – to the relationism phase, up to Paci’s return to phenomenology (1958-1976).