Abstract

The paper investigates, first of all, the epistemological status of one of the most elusive, yet vital, genres of literature, that aimed at childhood and adolescence. The “for” or “of” with which reference is made to the literature also known as ” youth” risks, in fact, to preserve the status quo of a discipline that has struggled (and still struggles) to find its own validity and legitimacy, discounted over time with an “invisibility” or a derubrication to derivative literature, secondary, weak in its artistic and aesthetic canons. On the contrary, the aim here is to confirm, as witnessed by the most recent scientific studies, the total autonomy of literature for childhood and adolescence which, relying on at least two codes, iconic and verbal, boasts considerable expressive freedom, lending itself also as a faithful interpreter of post-modernity. One theorises, therefore, the possibility of speaking of a literature ‘from’ childhood and ‘from’ adolescence, underlining the need to consider the specification in the same way as a geographical and cultural location. Since we are dealing with works written and illustrated by individuals who are not boys or girls by birth (since the latter are not yet masters of iconographic writing), the most relevant will be those that faithfully draw on the physical and metaphysical region of childhood, restoring its complexity and expression, as a direct emanation of that other culture, which still and always exists and resists in us.